This compelling debut novel explores the interconnected lives of three acclaimed female concert pianists: Clara Bishop; her teacher, Zofia Mikorska; and their nineteenth-century predecessor, Constantia Pleyel—best known for her arrest and subsequent incarceration for the murder of her own piano teacher, a composer named Aleksander Starza. Exactly how these three women are connected becomes clear only late in the book, but two of the elements that link them are Starza’s best-known composition, known as the “Fire Concerto,” and the metronome used to kill him—once thought to have been destroyed after his death.

Clara is the center of the novel. Once a brilliant performer, she suffered career-ending injuries during a performance of the Fire Concerto and, when we meet her, is tending bar in Austin, Texas. An unexpected summons to her teacher’s “final concert” turns macabre when she discovers that it is actually a reading of Zofia Mikorska’s will. Other beneficiaries receive instruments or documents; Clara inherits an antique metronome with the assurance that she will know what to do with it.

She does not. In fact, she has no idea what it is until a visit to an antiques dealer reveals the connection to Aleksander Starza. With some help from another former student, with whom she once alternated between competition and attraction, Clara is gradually drawn into a search for the truth of Starza’s murder, Pleyel’s part in it, and the connections between them and her brilliant but difficult teacher. In the process, Clara must also confront her own past, especially the career she abandoned.

I plan to interview this author for the New Books Network (link below) in July, a few weeks after the book’s release.