
Member Reviews

Unfortunately this is a DNF for me. I know it's a middle grade book, but the writing still felt very immature even for that, and the writing of the child in present day just didn't quite fit right. A lot of the terminology used etc didn't sound like that used by tweens in the present. Something about it just didn't work for me.

You Go, Girl! is a heartwarming and insightful coming-of-age novel that bridges generations through a thoughtful blend of humor, nostalgia, and real life wisdom. Set against the backdrop of 1959, Elaine Insinnia draws readers into a dual narrative that beautifully contrasts the past and present, showcasing the enduring strength and spirit of girls navigating societal expectations.
The story artfully toggles between two timelines: Lainie's vibrant adolescence in the late 1950s and Suzie’s tech-savvy present—highlighting both the contrasts and enduring connections between generations. Through daily readings of the old journal, Suzie is drawn into the world of poodle skirts, jukeboxes, and rigid gender norms. Her curiosity sparks meaningful conversations with her grandmother, allowing the two to confront issues like bullying, social expectations, and the quiet strength it takes to push back against unfair rules.
Perfect for middle-grade readers and nostalgic adults alike, You Go, Girl! is a charming celebration of female empowerment, family bonds, and the lessons that stand the test of time. Highly recommended for anyone who enjoys stories rich in heart, humor, and a little history.
Thank you Netgalley for the review copy.

Thank you, NetGalley and Atmosphere Press, for providing me with this uncorrected proof for review.
Elaine Insinnia’s You Go, Girl is a blend of funny anecdotes, serious consideration of the events that might occur in many young lives, and consideration of social issues in a light-hearted, but nevertheless thoughtful way. The style is young, but there are some delightfully nostalgic moments for the older reader. These range from references to popular songs and films of the 1950s and 60s, to clothing styles, playing in the street, and food to the more serious ones of the stereotyped gender roles and their impact on girls’ comfort, aspirations and behaviour.
Twelve-year-old Lainie has written a diary, and this becomes the daily reading for her and her granddaughter, Suzie over seven days together. From fingers flying over a mobile phone, to adjusting an aerial to listen to a wireless, the two read the diary, and apply much of its information to Suzie’s present everyday life. They find common cause in seeking to understand other people’s behaviour, navigating relationships with friends and parents, social concerns and understanding that although singers such as Frankie Avalon and Connie Francis no longer dominate the airwaves (or their modern equivalent), some social concerns of the past resonate with the present.
This is a pleasantly easy book to read, and although geared to a younger market in its style, has something for older readers. By raising serious issues, without introducing heavy analysis, Elaine Insinnia has effectively written about the challenges posed around some serious social issues and provided ideas and strategies for dealing with them.