At the End of the Street in the Shadow: Orson Welles and the City by Matthew Asprey Gear is a thought-provoking exploration of how urban landscapes shape and reflect Welles’s cinematic vision. Through meticulous research and critical analysis, Gear examines recurring themes in Welles’s work, from noir-infused power struggles to the remnants of European history, while also shedding light on his unrealized projects. Viewing Welles as a radical filmmaker often at odds with Hollywood, this study offers fresh insight into his artistry and ideological concerns. A must-read for film scholars and Welles enthusiasts alike.