When I was 18, I was pretty sure I knew everything. Selin, the protagonist of Elif Batuman’s The Idiot, has the opposite problem. She’s a freshman at Harvard, and she’s overwhelmed by all she doesn’t know. She doesn’t know where her life is going, really, she doesn’t know what classes she wants to take, she’s not sure how to help the students she’s been assigned as a part of her volunteer work doing adult education. She can’t even figure out how to fall asleep regularly, adding exhaustion on top of her confusion. She kind of drifts along, and one of the places she drifts is into a beginner Russian class, where she meets two people that change her life.

One is Svetlana, an immigrant from the former Yugoslavia, who decides she’s going to become Selin’s friend and does so with aplomb, quickly becoming the dominant force in Selin’s social life. The other is Ivan, a senior from Hungary, who becomes Selin’s conversation partner for Russian class, and correspondence partner over the then-new medium of email outside of class in English. Their conversation gradually turns into them spending time together, and Selin develops an intense crush on him. Even after she learns he has a girlfriend (and while he’s giving her very mixed signals), she takes up an opportunity to teach English in Hungary over the summer in the hopes of getting to spend time with him.

This book has a very passive central figure. Selin’s unsureness about virtually everything means that she mostly reacts to the world around her instead of being proactive. This makes her simultaneously very relatable (who hasn’t felt paralyzed with indecision, especially in a new situation?) and quite frustrating. If you’ve ever lived through the experience of having feelings for someone who wasn’t quite sure what they wanted, you find yourself wanting to reach through the pages and shake her by the shoulders while telling her that this isn’t going to end well. But you also know there’s no way to learn that lesson except living through it, because you probably ignored the person who shook you by the shoulders and tried to warn you off.

Batuman is an incredible writer…I highlighted so many things on my Kindle that she wrote that just seemed to perfectly capture the essence of being young and lost and desperately self-conscious. And she creates a very real, sympathetic-even-as-she’s-irritating character in Selin. The plot structure, though, could have used some work. While she’s at school, the book meanders along slowly and had a hard time holding my interest despite the lovely prose. Once she gets to Hungary, however, and starts interacting with host families and students, the book gets much livelier and there were several moments that were actually laugh-out-loud funny. It’s not that I didn’t enjoy the portion of the book that takes place at Harvard, but I enjoyed the last quarter-or-so so much more. I wish Batuman had figured out a way to disperse some of that levity more equally throughout the book, because it’s like 3/4 a good book and 1/4 a really good book. As is, though, I’d recommend this book, to recent-ish college grads in particular (I feel like if I were too much older than I am now, I’d be too annoyed by Selin to really enjoy what it had to offer).

When I was in Prague a couple of years ago, I was struck by how completely foreign the language (and alphabet) was. Yes, you’re probably saying ‘Duh’ but despite attempts, I came away with no more Czech than I started with (i.e. zero). Nothing stuck. Even things as simple as recognising the name of the train station near to where we were staying – I simply couldn’t find a way of retaining any of it.

I was reminded of that feeling of absolute foreignness when I read Elif Batuman’s oddball novel, The Idiot.

The Idiot focuses on Selin, in her first year at Harvard (it’s set in the mid-nineties, so expect enjoyable details such as the wonder of email, and the jumpy delivery of music via a Discman). Selin is the daughter of Turkish immigrants, and with the hope of becoming a writer, she takes classes in linguistics and Russian. But despite Selin’s close observance of everything happening around her, university life is a foreign language in itself, and one that baffles Selin.

"In a black room with orange lights and pounding Spanish music we stood in a big circle dancing. It reminded me of preschool, when you had to stand in a circle and clap your hands. I began to intuit dimly why people drank when they went dancing, and it occurred to me for the first time that maybe the reason preschool had felt the way it had was that one had to go through it all sober."

The story centres around Selin’s relationships with her roommates; her confident and extroverted Serbian friend, Svetlana; and the person she’s infatuated with, Ivan, a Hungarian maths major.

"It was a mystery to me how Svetlana generated so many opinions. Any piece of information seemed to produce an opinion on contact. Meanwhile, I went from class to class, read hundreds, thousands of pages of the distilled ideas of the great thinkers of human history, and nothing happened."

Batuman writes as Selin sees and thinks – with an immense amount of detail. It makes for a curious reading experience – the detail was mesmerising in parts, superfluous in others. Toward halfway, I questioned whether long descriptions of Selin’s Russian class, her conversations with Svetlana, or the thinking behind buying a poster of Albert Einstein, contributed to driving the story forward. But, just as my patience was wearing thin, Selin travels to Hungary for a summer placement as an English teacher, and the story picks up pace. In fact, Selin in Hungary had my full attention (perhaps because her experience reminded me of my own time as an exchange student in Germany, when I would be taken to places or shown things that to this day I still can’t explain).

"At noon every day, everyone went home except for me and Róbert, whose mother was the school principal. Róbert and I went into a large but windowless supply closet where, surrounded by rolled-up maps and projector screens and slide carousels, we sat at a wooden desk and were served lunch by the school cook, Vilmos, who wore a white apron and a chef’s hat… We addressed these meals with dedication, industry, and few words… At first it seemed strange to me to go into a supply closet every day with a fourteen-year-old boy and eat a three-course meal, but soon I came to view it as part of the natural course of things."

There’s probably lots I missed in this book in terms of theme and style, simply because I’m not familiar Russian literature (and even then, I’m making assumptions on the basis that Batuman has borrowed her title from Dostoevsky). I did enjoy the dead-pan humour; and Batuman’s ability to take an ordinary situation (Selin falling for the accomplished maths major, who strings her along in a way that will feel all-too-familiar to many readers) and make it feel new. And the ending? Insightful!

I received my copy of The Idiot from the publisher, Penguin Press, via NetGalley, in exchange for an honest review.

3.5/5 Hmmm… how to score a book that was intensely boring in parts and wildly entertaining in other parts….?

The first 300 or so pages would merit a solid 4 star rating (at least) in my opinion, its just the ending that I real can't get behind. I see in the acknowledgment that the first part was written in 2001-ish, meaning that this portion likely underwent the most editing/revising, which is maybe why I appreciate it more than the rest, the end just feels completely rushed and of sync with the rest of the novel.

Maybe its the academic in me but I really enjoyed 1995-ish Harvard, this was also the setting that was most developed. Europe (France and Hungary) I felt was a little underdeveloped, as well its inhabitants.

There isn't terribly much going on in regards to 'plot', but Batuman makes the first 300 pages, where very little happens, very enjoyable and what some might call 'compulsively readable'. All in all I think Batuman has a great 'voice' and I look forward to reading more of her work.

This was not the book I expected. I assumed based off the author's previous work that it would have more to do with Russian/Slavic literature with the title The Idiot.

This is a book that will hold onto you for a while afterward. I don't tend to enjoy books that are light on plot, but this was an entertaining read that felt absurdist at times, and very real at others. The writing is fantastic, and there are laugh-out-loud scenes peppered throughout the book. For me, the predominant undercurrent was the awkwardness of being a smart and earnest girl in college. It reminded me of all the newness the world had to offer and all the mistakes/ fumbles I took until I understood who I was in the world. And it felt good to watch someone else make a lot of similar mistakes along the way, with amusing results.

This would be a great book to give a precocious and intellectual young adult who is heading off to college, someone who longs for their college days of pondering the world and running after lost cause loves, someone who likes a contemporary novel and is ok with little to no plot.

"The Idiot" is a book that takes you on a journey, a quiet journey, immersed in deep thought.
The plot centers around Selin, a daughter of Turkish immigrants, raised in NJ. It is 1995 and she is beginning her freshman year at Harvard. She develops a crush on an older mathematics student from Hungary. Their relationship unfolds via email, allowing them to communicate more freely than in person.
This is not your typical coming-of-age story. Selin's emotional life is deep-seated in philosophy and painstaking analysis. Yet, Batuman infuses a wry, delightful sense of humor throughout the story.
It moves at its own slow pace. I was sorry for Selin's struggle in pushing for a meaningful outcome of her love story but, upon finishing the book I was glad to have waited.

I was just bored with this book. I'm not quite sure where anything was going or if the story was moving along, so I eventually stopped reading it.

A book that is perfect for the Mellenial generation.

The description pulled me in, but the entire second half of the book dragged. It was very hard to stay interested and get through. I felt bad because this was a book I really wanted to like, but I couldn't even make it to the end.

An extraordinary intellectual journey, following Selin's freshman year at Harvard while trying to put order through words into the new reality. Although it has classical literary references, including Russian literature, it succeeds to create an unique new voice which I would love to read more and more about in the next years.

When this was good, it was great. Batuman really captures that sort of lostness you feel when you think everyone has this life thing figured out but you have no idea. However, there were so many moments when I felt bored and like it was dragging. So as a reading experience it felt uneven.

Thanks to Netgalley and the publisher for an Advanced Reader Copy in exchange for an honest review. The writing was excellent, I loved the timeline of the story (I was also in college at this time). The pace was a bit too slow, and the general plot was difficult to ascertain. Otherwise, good read.

http://www.librarything.com/work/18379721

I am kicking myself for waiting so long to read this story. This novel was a home run for me, even though it is hard to describe the "point" of this story. I guess not every novel has to have an Epic Event or a Grand Moment in order to be a great book.
Selin is one of my favorite literary characters in years, maybe ever. She is naive, impressionable and vulnerable, and yet has the confidence to know her own limits. She is open to new ideas while not being swayed by others' opinions, willing to contribute her considerable thoughts to debates and discussions. She is forever putting herself in new and unfamiliar territory, able to adapt to new surroundings at school and abroad. She isn't perfect: she was too often crippled by stubbornness, too shy sometimes to speak her mind, and uncomfortably self-deprecating. But, she is also compassionate, intelligent, and curious. How sad that finding a nuanced character like her is so outside the norm (a commentary on my reading choices?) and how lucky I am to have found this novel.
Now, after singing Selin's praises, I will say that I found some of the other characters confusing at best and off-putting. Ivan will forever be a mystery. Svetlana is so narcissistic I struggled to find her more than a one-note contrast to Selin.
Spoiler ahead: I have to say, my favorite part of the story is that Selin and Ivan remain very close without an awkward kiss/tear-stained rehashing/tortured goodbye.
I very much enjoyed this novel. Ms. Batuman is very talented and I will be waiting eagerly for her next book.

The Idiot is the coming of age story of Selin, the daughter of Turkish immigrants, as she moves from her home in New Jersey to begin her freshman year at Harvard in 1995. Brilliant and outstanding as a high school student, Selin finds herself thrown into a group of multicultural and multilingual characters as broad as the cast of a Russian novel – in fact, this book owes a debt to Russian literature in many ways, including the Dostoyevsky title.

Selin is aimless and almost ambivalent about her future, and she signs up for classes almost at random. Her focus is on linguistics, although she quickly loses her faith in the power of language to truly communicate. In her introductory Russian language class, Selin becomes friends with Serbian student Svetlana, who seems to inherently understand the social conventions of university in ways that Selin cannot. She also meets Ivan, a math major from Hungary – she falls for his depth of character, but their entire relationship may be based on the misunderstandings of the English language.

In 1995, there is no social media, and email is brand new. Selin and Ivan begin to communicate through email almost by accident, and she obsesses over their thrilling correspondence – the kind of conversations that are filled with so much intense meaning when you’re a teenager, but in reality they are mostly nonsense. Ivan’s thoughts are new and mysterious to Selin, but in real life, she is mostly speechless in his presence – especially when he talks about his elusive girlfriend. Meanwhile, the students act out an unrequited love story in Russian class, which takes on new meaning for Selin.

Selin’s constant narration of seemingly random events are very evocative of the absurdity of Russian literature. Her naïve observations of the world around her are deadpan and dry, unintentionally hilarious. The description of every small detail of Selin’s daily life distracts from the forward motion of the plot, but I think that’s the point – her use of language subverts the traditional plot, and shows us how complicated communication can become. Selin’s inner world is so charming and clever, I never wanted it to end. Without the surprising amount of detail, the novel could have easily been much shorter than its 450-page count, but I could have kept reading much longer. However, I don’t think that will be the case for everyone – the writing style is divisive, and readers will either love or hate The Idiot.

At the end of the school year, Ivan arranges for Selin to teach English in several small Hungarian villages, while he stays in Budapest. Selin first travels to Paris with Svetlana, which makes life in the villages seem even more absurd. She continues to explore her experiences of first love, and she is filled with as much confusion as exhilaration when she meets with Ivan. Their relationship is unconventional, rejecting the usual young adult romance tropes in clever and unexpected ways.

Throughout her journey, Selin continues to explore the complications of communication, especially as language starts to seem so arbitrary to her. Ending up in Turkey, Selin begins to lose faith in the narrative of her own life. She learns, as we all eventually do, that there is no overarching plot to life – it isn’t a Russian novel, except for the fact that it is unexpected and absurd.

It’s hard to explain why I loved this novel so much, but Selin’s rich inner world just resonated with me. Batuman is certainly an author to watch, and I will likely be purchasing this, and any other novel, that she writes.

I received this book from Penguin Press and NetGalley in exchange for an honest review.

Some of the writing was good, but most of the book was rather boring to me. Perhaps it would have more meaning for someone college-age.

I didn't hate it - but for me, it was 'just ok'.

DNF'd. Unfortunately it took far too long to get into the story and I couldn't remain engaged with the lack of action and character at the beginning of the book.

I didn't love it as much as I wanted to, or was lead to believe I would by the earlier NYT reviewing, but it's worthwhile nevertheless.

THE IDIOT by Elif Batuman appealed because of its cast of characters:

Selin, daughter of Turkish immigrants beginning her undergraduate studies at Harvard
Svetlana, a classmate from Serbia and
Ivan, an older mathematics student from Hungary.

The time period, 1995, and setting - both in Boston and across Europe – also grabbed interest as I began reading and reflecting on college experiences, the efforts to find oneself, and to establish adult relationships. However, I soon felt that Selin was a little too self-centered; although clearly very introspective and clever. Here is an example of her mind at work: "I was thinking about the structural equivalencies between a tissue box and a book: both consisted of slips of white paper in a cardboard case; yet – and this was ironic – there was very little functional equivalence, especially if the book wasn't yours." After a time, Selin's frequent musings did seem less amusing and began to grate, slowing down the story, even though Batuman is an award winning author who provides a thoughtful commentary on culture, language and "adulting."

Booklist, Kirkus and Publishers Weekly all gave starred reviews to this semi-autobiographical debut novel and despite its being over 400 pages, I am curious to see if any of our Senior English classes will decide to explore this unique text.

Hardly a literary debutant, Elif Batuman's essays and vibrant (among other things) travelogue "The Possessed" mark her as a writer whose work is worth the wait. And wait we have, but now that this - The Idiot, her debut novel - is out, and one would hope, doing well, the number of us waiting impatiently for her next book is likely to grow. "The Idiot" is a strong addition to the bildungsroman catalogue. in this case, one that lets the ambiguity do its work and the humor to ferment before she lets it loose. A very funny, poignant, and intelligent take on the difficulties of entering "adulthood", and the frustration that invetiably results, upon having arrived and understanding that you haven't learned much, if anything, along the way.