The Future Won't Be Long

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Pub Date Oct 26 2017 | Archive Date Nov 13 2017

Description

It's the tail-end of 1986 and Baby is the freshest-faced, starriest-eyed young homo in all of New York City, straight off the bus from closeted backwoods Wisconsin. Adeline is his rich-art-school-kid saviour with a bizarre transatlantic drawl and a spare bed. The Future Won't Be Long follows Baby and Adeline as they cling to each other for dear life through a decade of mad, bad New York life punctuated by the deaths of Warhol, Basquiat and Wojnarowicz and the forcible gentrification of the East Village. While Adeline develops into the artist she never really expected to become, Baby falls into a twilight zone of clubbing, ketamine and late-capitalistic sexual excess. As he struggles to find his way out again, Baby will test the strength of a friendship that had seemed unbreakable. Riotously funny, provocative but tender, The Future Won't Be Long is a sprawling, ecstatic elegy to New York, and to the friendships that have the power to change - and save - our lives. 'A punky, heartbreaking and hilarious epic on America going nowhere, going crazy, going bad. It's brilliant' Dorthe Nors, author of Mirror, Shoulder, Signal

It's the tail-end of 1986 and Baby is the freshest-faced, starriest-eyed young homo in all of New York City, straight off the bus from closeted backwoods Wisconsin. Adeline is his rich-art-school-kid...


Available Editions

EDITION Other Format
ISBN 9781781258552
PRICE £12.99 (GBP)
PAGES 416

Average rating from 5 members


Featured Reviews

The Future Won’t Be Long is a self-aware version of 80s and 90s New York novels that follows two friends over ten years of saving each other and striving for something resembling success in a disillusioned America. Baby is a gay guy fresh in New York from Wisconsin, where he meets Adeline, a rich kid art student with space for him to crash. They end up best friends and navigate a world filled with friends, disappointment, drugs, art, and East Village gentrification as America moves from the late eighties into the nineties.

The novel is fuelled by references to Warhol, Wojnarowicz, and Basquiat, Bret Easton Ellis, The Great Gatsby and Marvel vs DC. Though clearly similar to books by Easton Ellis and Jay McInerney, by including them as minor characters and taking a modern perspective on the period (the narratorial voice, which alternates between Baby and Adeline, makes mention of 9/11) Kobek makes The Future Won’t Be Long feel like a novel of that period and a comment upon them. The characters engage with politics on race, gender, and sexuality, using the twenty years distance between the end of the novel and the modern day to give space for reflection. The main characters are flawed and their friendship serves as a reminder that books can be centred around a friendship and its ups and downs whilst engaging with the culture surrounding them.

At times it does feel a little too clearly another New York epic about art, drugs, and friendship, but it makes a good companion to other books of the year like Olivia Laing’s The Lonely City (for the art and AIDS background) and has an enjoyable self-awareness about the popularity of the straight white American male author even in the alternative culture of the 90s. The narrative style is fast-paced and fairly jumpy, likely to appeal to people who like books by the authors referenced within the narrative like Easton Ellis. Sometimes almost metafictional, Kobek combines 80s and 90s gay New York life, the literary world of that time, comic books as art (including being female in that world), and general American life and disillusionment to create an enjoyable and interesting novel about a period there seemed to be too many books about already.

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