A Terrible Country

A Novel

by Keith Gessen

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Pub Date Jul 10 2018 | Archive Date May 30 2019

General Fiction (Adult)

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Description

A New York Times Editors' Choice

Named a Best Book of 2018 by Bookforum, Nylon, Esquire, and Vulture

"This artful and autumnal novel, published in high summer, is a gift to those who wish to receive it."
—Dwight Garner, The New York Times

"Hilarious, heartbreaking . . . A Terrible Country may be one of the best books you'll read this year."
—Ann Levin, Associated Press

"The funniest work of fiction I've read this year."
—Christian Lorentzen, Vulture.com

A literary triumph about Russia, family, love, and loyalty—the first novel in ten years from a founding editor of n+1 and author of All the Sad Young Literary Men

When Andrei Kaplan’s older brother Dima insists that Andrei return to Moscow to care for their ailing grandmother, Andrei must take stock of his life in New York. His girlfriend has stopped returning his text messages. His dissertation adviser is dubious about his job prospects. It’s the summer of 2008, and his bank account is running dangerously low. Perhaps a few months in Moscow are just what he needs. So Andrei sublets his room in Brooklyn, packs up his hockey stuff, and moves into the apartment that Stalin himself had given his grandmother, a woman who has outlived her husband and most of her friends. She survived the dark days of communism and witnessed Russia’s violent capitalist transformation, during which she lost her beloved dacha. She welcomes Andrei into her home, even if she can’t always remember who he is.

Andrei learns to navigate Putin’s Moscow, still the city of his birth, but with more expensive coffee. He looks after his elderly—but surprisingly sharp!—grandmother, finds a place to play hockey, a café to send emails, and eventually some friends, including a beautiful young activist named Yulia. Over the course of the year, his grandmother’s health declines and his feelings of dislocation from both Russia and America deepen. Andrei knows he must reckon with his future and make choices that will determine his life and fate. When he becomes entangled with a group of leftists, Andrei’s politics and his allegiances are tested, and he is forced to come to terms with the Russian society he was born into and the American one he has enjoyed since he was a kid.

A wise, sensitive novel about Russia, exile, family, love, history and fate, A Terrible County asks what you owe the place you were born, and what it owes you. Writing with grace and humor, Keith Gessen gives us a brilliant and mature novel that is sure to mark him as one of the most talented novelists of his generation.

Advance Praise

Praise for A Terrible Country

“A cause for celebration: big-hearted, witty, warm, compulsively readable, earnest, funny, full of that kind of joyful sadness I associate with Russia and its writers. Gessen’s particular gift is his ability to effortlessly and charmingly engage with big ideas—power, responsibility, despotism of various stripes, the question of what a country is supposed to do for the people who live in it—while still managing to tell a moving and entertaining human story. At a time when people are wondering whether art can rise to the current confusing political moment, this novel is a reassurance, from a wonderful and important writer.”
—George Saunders, Man Booker Prize-winning author of Lincoln in the Bardo

“Keith Gessen is one of my favorite writers and A Terrible Country is even better than I hoped. By turns sad, funny, bewildering, revelatory, and then sad again, it recreates the historical-psychological experience of returning, for twenty-first-century reasons, to a country one’s parents left in the twentieth century. It’s at once an old-fashioned novel about the interplay between generational roles, family fates, and political ideology, and a kind of global detective mystery about neoliberalism (plus a secret map of Moscow in terms of pickup hockey). Gessen is a master journalist and essayist, as well as a storyteller with a scary grasp on the human heartstrings, and A Terrible Country unites the personal and political as only the best novels do.”
—Elif Batuman, author of The Idiot and The Possessed

“A Terrible Country is an engaging and entertaining novel, full of humor and humility, and always after one thing—the truth of contemporary life. Gessen gives us the people of Moscow—businessmen, anarchists, grandmothers, dissidents, baristas, hockey goalies, prostitutes, and FSB agents—not as fanciful characters but with the full force of the real. His affectionate, clear-eyed portrait of one terrible country has plenty to teach us about our own.”
—Chad Harbach, author of The Art of Fielding

“I loved A Terrible Country, and I loved Andrei, the smart, likable narrator, a struggling American academic with a deliciously wry observational intelligence. I’d follow Andrei’s voice anywhere, but I was especially glad, at this moment, to go with him to post-Soviet Moscow. A fun, funny but sincere novel that explores with real integrity what it means to be an American ex-pat who can always leave, A Terrible Country is one of the most addictive and affecting books I’ve read in a while.”
—Adelle Waldman, author of The Love Affairs of Nathaniel P.

“Like Primo Levi’s masterpiece If Not Now, When?, A Terrible Country makes the emotional case for an unfamiliar politics. Its critique of the Russian mafia state is balanced by a deeply humanistic attention to common decency. I would not hesitate to recommend this novel to a busy person who otherwise refuses to touch fiction. The only up-to-the-minute, topical, relevant, and necessary novel of 2018 that never has to mention Trump.”
—Nell Zink, author of The Wallcreeper and Mislaid

Praise for A Terrible Country

“A cause for celebration: big-hearted, witty, warm, compulsively readable, earnest, funny, full of that kind of joyful sadness I associate with Russia and its writers...