
Implosion
Memoir of an Architect's Daughter
by Elizabeth W. Garber
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Pub Date Jun 12 2018 | Archive Date Jun 18 2018
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Description
What could be cooler, thinks teen Elizabeth Garber in 1965, than to live in a glass house designed by her architect dad? Ever since childhood, she’s adored everything he loves—his XKE Jaguar, modern art, and his Eames black leather chair—and she’s been inspired by his passionate intensity as he teaches her about modern architecture. When Woodie receives a commission to design a high-rise dormitory—a tower of glass—for the University of Cincinnati, Elizabeth, her mother and brothers celebrate with him. But less than twenty years later, Sander Hall, the mirror-glass dormitory, will be dynamited into rubble.
Implosion: Memoir of an Architect’s Daughter delves into the life of visionary architect Woodie Garber and the collision of forces in the turbulent 1970s that caused his family to collapse. Soon after the family’s move into Woodie’s glass house, his need to control begins to strain normal bonds; and Elizabeth’s first love, a young black man, triggers his until-then hidden racism. This haunting memoir describes his descent into madness and follows Elizabeth’s inspiring journey to emerge from her abuse, gain understanding and freedom from her father’s control, and go on to become a loving mother and a healer who helps others.
A Note From the Publisher
Advance Praise
“…poetic and incisive…Many readers will see aspects of their own family histories in this powerful saga of trauma and healing. An alternately wistful and searing exploration of a troubled legacy.”—Kirkus Reviews (starred review)
“Garber’s extraordinary debut memoir tells the story of her abusive father, architect Woodie Garber….and steadily charts his and her family’s descent into chaos and madness, as Woodie’s commissions dry up and he ceases to receive the recognition he believes he deserves….Recommended for survivors of abuse and those interested in knowing more about the ways in which great professional success often comes at the sacrifice of one’s own family and private life.”—Library Journal
“I was riveted by
this story of an adoring daughter struggling to escape the dominance of her
brilliant, charismatic father. Garber writes beautifully about the layered
complications of family love.”—Monica
Wood, author of The One-in-a-Million Boy, When We Were the Kennedys,
Any Bitter Thing, and Ernie’s Ark
“…Courageous, horrible, terrible and wonderful, this is a dark and tragic beauty of a memoir that could only be written by someone determined to be fiercely honest in her remembering and her art.”—Richard Hoffman, author of memoirs, Half the House, and Love & Fur
“Few books have narrated the personal dimension of modernism like this one.…fascinating”—Baron Wormser, former Poet Laureate of Maine, author of ten books of poetry, books on writing craft, two novels, and a memoir, The Road Washes Out in Spring: A Poet's Memoir of Living Off the Grid
“This poignant, very personal memoir by the daughter of one of Cincinnati’s premier modern architects traces his ascent and decline, as they parallel those of his style and discipline at the same moments in time. Elizabeth Garber’s exquisite prose compliments the love of art and architecture that she learned from her father. Her forthrightness and honesty resemble the direct, unpainted and undecorated aesthetic that her father promoted, but her gentle sensitivity is all her own. This is a book about something even more complicated than the most difficult art—family life.”—Jayne Merkel, architectural historian, author Eero Saarinen
“…a remarkable feat. Garber allows us to revile her brilliant and destructive architect father as fully as she did when she was coming of age in the 1960’s. She also allows us to forgive him as she ultimately does in this wise, searching book. Her story is an echo of the tumultuous cultural revolutions that define her generation.…a beautiful book, written by a new and exciting writer.”—Meredith Hall, author of the memoir, Without a Map
“…Garber writes with searing clarity about the years she spent living under the oppressive reign of her father. But this isn't just a book about a deeply troubled father-daughter relationship. Rather, it's a story about a family, an art form (architecture), a generation, and a decade in American history that we're still trying to understand. By reading Implosion, one not only gains access to the intimate, tragic details of Garber's broken youth, but also to the public world outside her father's realm: one of parallel turmoil, complexity, and yes: implosion. A finely wrought narrative by a brave, unflinching writer.”—Jaed Coffin, author of A Chant to Soothe Wild Elephants: A Memoir
“Elizabeth Garber’s memoir drives as well as her Dad’s fine sports car. Sleek, modernist sentences, high-power clarity of perception, bold telling it like it was. Garber never loses touch with the forms of pain caused by her Dad’s illness. She honors the vulnerability of the whole family in the grips of it, including him. In the end, at the heart of the matter is compassion and the kindness of unconditional love, in spite of it all….”—Alexandra Merrill, international women’s leadership consultant
Marketing Plan
There is no Kindle version available for NetGalley at this time.
There is no Kindle version available for NetGalley at this time.
Available Editions
EDITION | Other Format |
ISBN | 9781631523519 |
PRICE | $17.95 (USD) |
PAGES | 256 |
Featured Reviews

Like Tara Westover’s Educated, my other favorite memoir of the year so far, this one is stuffed full of incident and charts a heroine’s survival through almost unimaginable psychological oppression. The author grew up in a glass house designed by her father, Modernist architect Woodie Garber, outside Cincinnati in the 1960s to 70s. This and Woodie’s other most notable design, Sander Hall, a controversial tower-style dorm at the University of Cincinnati, serve as powerful metaphors for her dysfunctional family life.
The glass house (which I reckon would make a better title for this memoir, but was probably considered too similar to The Glass Castle) was a status symbol to match Woodie’s racecars and wine cellar filled via the Jergens estate sale; it was also a frame for Woodie’s exhibitionism: he walked around the house naked and forbade his three children from closing the bathroom door. He said he wouldn’t allow prudery and wanted his children comfortable with their bodies. Fair enough, but he also photographed them nude to log their development and gave them front and back massages – even after Elizabeth went through puberty.
Woodie is such a fascinating, flawed figure. Elizabeth later likens him to Odysseus, the tragic hero of his own life. Manic depression meant he had periods of great productivity on designs and landscaping for the glass house, but also weeks when he couldn’t get out of bed. He and Elizabeth connected over architecture, like when he helped her make a scale model of Le Corbusier’s Villa Savoye for a school project, but it was hard for a man born in the 1910s to understand his daughter’s generation, or even his wife’s desire to go back to school and embark on her own career in criminal justice. His standards were impossibly high; he railed at his kids for having no integrity or work ethic.
It’s no wonder the marriage and the father–children relationships fell apart, just like Sander Hall, which after a spate of arson was destroyed in a controlled explosion in 1991. Several of the most memorable memoirs I’ve read this year have focused on the contradictions of a larger-than-life father – Blake Morrison’s And When Did You Last See Your Father?, Rebecca Stott’s In the Days of Rain, and Educated – and that’s a major theme here, too.
Mixed feelings towards a charismatic creative genius who made home life a torment and the way their fractured family kept going afterwards are reasons enough to read this book. But another is just that Garber’s life has been so interesting: she observed the 1968 race riots and had a black boyfriend back when interracial relationships were rare and frowned upon; she was briefly the librarian for the Oceanics School, whose boat was taken hostage in Panama; and she dropped out of mythology studies at Harvard to become an acupuncturist.
Don’t be fooled into thinking this will be a boring tome only for architecture buffs. It’s a masterful memoir for everyone. I especially loved the photographs of the family and of Woodie’s buildings.

I really enjoyed reading this memoir. The author recounts her life growing up during turbulent times with an abusive farther in a glass house. Her father was a modern architect who embraced modernism while still holding on to his Victorian upbringing. The author struggles with admiring her father and his work and hating his descent into madness. Sander Hall, a building he designed for Univ of Cincinnati that was ultimately destroyed serves as a powerful metaphor for their family life. The book is very well written and will leave a lasting impression. I highly recommend it.