Catacombs

This is #12 in the Faye Longchamp mystery series, but it works as a standalone. This is my first venture into the books, and I was not confused by character relationships or any references to past events.

What I enjoyed:

1. The story reveals timely cultural issues.

I had expected a straight-forward amateur detective-type mystery. While I got that (and it's a doozy), I also got a thoughtful, moving look at prejudices in our society. Even better? These arise naturally from the story circumstances. This isn't a book about an issue but a story that reveals an issue. There's a difference.

Evans writes with compassion, even as she describes the horrible ways that prejudices filter down through the years. Cully (an old movie star returning to Oklahoma) and Sly (Faye's father-in-law) both attended Indian schools. The under-funded schools lacked even basic items that make up "back-to-school" lists each year in the United States: pencils, paper, books. There was abuse at some schools. All of this is a true and shameful part of U.S. history. Both characters left without diplomas and had to build lives for themselves without it.

The catacombs of the title are the underground dwellings of a Chinese community in the early 20th century. These creative people dug through the walls of their below-ground basement apartments and created a multi-leveled living area beneath Oklahoma City. As strange as it sounds, this actually happened! Fascinating. Horrible, too. They weren't paid adequate wages and landlords refused to rent decent apartments to them. Why? Their ethnicity.

And then there's protest against the academic conference on Indigenous Art. It's disappointing but not surprising that certain types of people would protest this exploration of a culture that is not "theirs".

There's a running theme about the idea of "invisible people." Faye observes that the hotel maids are invisible to most. Those with power might not see them as people or consider their needs. But Faye does.

2. Faye Longchamp-Mantooth is unique.

She's observant and astute, two qualities that I imagine archeologists need in abundance! (The tidbits of professional knowledge are fascinating.)

While she's definitely a strong woman and a feminist, she is considerate and understanding of different codes of honor. For example, both she and Cully are somewhat hurt in the bombing. Medics attend Faye first and she wants to protest. Cully is an old man! Examine him first! But she knows that his chivalrous nature and generational ideas would never allow him to be treated before a woman. So instead of protesting, she respects that by remaining silent. (And Cully does a jig to demonstrate his "healthy" state.)

3. Faye and Joe's relationship is realistic and beautiful.

Evans gives us a realistic marital relationship here. Joe and Faye know each other, deeply care about each other, and feel secure enough in that love to argue together. (A healthy relationship doesn't mean a conflict-free one!) They support each other's work. She sees even more potential greatness lying inside him and is determined to make her husband shine. It's beautiful.

4. And more . . .

There's much more that I could rave about. The plot is great. The writing is terrific. All in all, it's a well-crafted story. Evans writes with compassion and understanding, and this is a wonderful book.

Thanks again to Netgalley and Poisoned Pen Press for a copy of Catacombs in exchange for an honest review. It was a pleasure to read this book.
(Note: the review on my blog will go live on August 5, 2019. https://meredithrankin.com/catacombs-mary-anna-evans)