The Thorn Puller

“The sparks of humor fly as Japanese medieval narrative and Judeo-Christian culture collide in modern-day domestic disputes. Ito may have written this book in prose, but we never forget that she’s a poet. There is a special music even in the complaints, scolding, arguments, phone conversations, and gossipy moments. As the narrative unfolds, Ito draws not only upon voices of her family members and others around her, she gathers in countless voices, including those of the dead. And how wonderful to find the rhythm of the Japanese reproduced so marvelously in this translation!”
—Yoko Tawada, author of The Emissary

“Ito’s work, which has long drawn us in, reaches a crescendo here, working off a base in fractured daily life: minefields of love and hate, frailty and death, identities and languages heard and unheard, a clash of cultures and religions in the context of the day by day. And all of this she sets against deep images of Japanese lore and literature, ancient and immediately modern, prose transformed into poetry: a contemporary master at the height of her many long-honed powers.”
—Jerome Rothenberg, editor of the poetry anthology Technicians of the Sacred

“When she was young, Hiromi Ito wrote about sex, menstruation, and childbirth. Later she wrote about child-rearing, affairs, and menopause. In The Thorn Puller she has written about parental caregiving and aging. Poets are amazing—their experiences become art, and what’s more, Itō has created a completely original literary style, which no one could imitate even if they tried. The Thorn Puller is a great achievement.”
—Chizuko Ueno, author of The Modern Family in Japan