The Last Whaler

"...a dramatic tale of survival at a frigid whaling station in 1937 Norway....This emotionally rich historical will keep readers turning the pages."

—Publishers Weekly

" . . . poignant . . . . a vibrant historical novel in which grief and triumph are set against the severe Arctic wilderness."

—Foreword Reviews, starred review

"This is a hell of a book! Every moment is an urgent conversation between the past and the present, a meditation on the dance between what is ephemeral and what cannot be changed. The landscapes of THE LAST WHALER are at once metaphysical, emotional, unknowable, and all too real. Questions asked of the silent dead mingle with a couple's daily struggles to survive in a frozen world in which darkness reigns. A masterful storyteller, Reeves replicates grief's unique power to demolish clear distinctions between time and place, between love that heals and love that destroys, and in so doing she has written a memorable, necessary tour de force."

—Robin Black, author of Life Drawing and Mrs. Dalloway: Bookmarked

"THE LAST WHALER is gale-force with narrative and unforgettable images....The prose is an overlap of ancient tales and modern insights, a meditation on the fleeting beauty of earthly love and existence, and an inquiry into how we best live with ourselves and other creatures.”

—Helen Klein Ross, author of The Latecomers, What Was Mine, and Making It

"...an accomplished and magnificent novel. Meticulously researched and fully imagined, it is the story of a couple's sojourn at an Arctic whaling station in the late nineteen thirties. Told in two distinct and vibrant voices through letters that dramatize daily threats and accomplishments, it is a gripping tale about a marriage under extreme stress as a man and woman, already grieving for a lost child, separately find their peace in inhospitable conditions. 

—Megan Staffel, author of The Exit Coach

"THE LAST WHALER reconciles the boundless beauty of the Arctic with a frozen hellscape of grief in this skillfully rendered story of a couple living and working at a whaling station on Svalbard, and struggling to survive the death of their son. Cynthia Reeves’s writing is riveting, evoking the shadowy boundary between physical and spiritual realms through such details as the lingering stench of trying blubber or the ghostly grace of a wedding gown. As suspenseful as it is profound, Reeves’s novel finds harmony in a perilous landscape that seeks balance between life and death, wonder and danger, joy and sorrow.”

—Elizabeth Mosier, author of Excavating Memory: Archaeology and Home

"THE LAST WHALER reimagines the tropes of Victorian and Romantic novels through a uniquely feminist environmentalist lens, rendering a classic story as timely, contemporary fiction. As Tor Handeland reflects on his years hunting beluga whales in the Svalbard archipelago, the reader travels alongside him to the winter that Astrid, his impetuous wife, demanded to accompany him. The clash between a self-determined woman and the traditional male hierarchies of the whaling trade escalates against the backdrop of formidable, stark beauty as the Arctic winter sets in, stranding Astrid and Tor in the ‘mørketid’—‘the time of darkness.’ The Last Whaler is a raw, beautiful novel you will not soon forget.”

—Tanya Whiton, author of Two for the Road

"THE LAST WHALER is survival epic, nature poem, and mythic history of a land few of us will ever visit. But above all it is a fearless novelistic investigation of the ways in which individuals and entire societies can gradually succumb to madness. Cynthia Reeves’s depiction of a couple struggling to move past the incomprehensible loss of a child as war laps at the borders of their world is clear-eyed and deeply compassionate."

—Pamela Erens, author of Eleven Hours and The Virgins

"...a deeply moving novel that meditates on the effects of grief and guilt following the loss of a child. The narrative unfolds through two overlapping perspectives: a mother's letters written to the lost child, and the father's responses to the letters ten years later, at the time of the summer solstice. This dual narrative structure reveals how time can be both suspended and cyclical, where personal and historical memory diffuse into the present. The desolate beauty of the remote Arctic shore becomes a powerful metaphor for a struggle to survive inner turmoil and overwhelming grief. Through deep research and luminous prose, Reeves meticulously recreates life in a remote archipelago during the times bracketing World War II, and she offers a richly drawn portrait of resilience in the face of stunning hardship.

—Beth Castrodale, author of The Inhabitants