Where the Bird Sings Best
by Alejandro Jodorowsky
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Pub Date Apr 07 2015 | Archive Date Apr 05 2015
Description
When Chilean filmmaker Alejandro Jodorowsky released his surrealist masterworks El Topo and The Holy Mountain in the 1970s, he revolutionized cinema and launched the “midnight movie” phenomenon. A giant not just in the film world but also in theatre, comics, and the Tarot, Jodorowsky has influenced artists as diverse as John Lennon, Marina Abramović and Kanye West.
In 2014, he starred in the acclaimed documentary Jodorowsky’s Dune and released his first film in 23 years, The Dance of Reality, an autobiographical picture that mines the social and political terrain of his childhood in pre-war Chile. But the often-reclusive director did not disappear entirely during that two-decade absence from the screen. In fact, Jodorowsky was busy enhancing his reputation as a major Latin American novelist, revered everywhere from Mexico to Argentina. Finally, Restless Books is bringing those important works to the English-speaking world, beginning with his epic family saga, Where the Bird Sings Best.
This remarkable book has been compared to Marquéz’s One Hundred Years of Solitude in its imaginative scope and historical sweep. The story of the Jodorowskys’ emigration to Chile from the Ukraine, Where the Bird Sings Best explores family legends, the turmoil of history, Jewish philosophy, political violence, mysticism, passion, lust, loss, and the joyful absurdity of everyday life. A sui generis epic, Jodorowsky’s novel expands the classic immigration story to mythic proportions.
REVIEWS
“This epic family saga, reminiscent of Gabriel García Márquez's Cien anos de soledad (One Hundred Years of Solitude) in structure and breadth, reads at a breakneck pace. Though ostensibly a novelization of the author's own family history, it is a raucous carnival of the surreal, mystical, and grotesque....It weaves together Jewish philosophy, passion, humor, Tarot, ballet, circuses, natural disasters, spectacular suicides, lion tamers, knife throwers, Catholic devotion, farmers, betrayals, prostitutes, leftist politics, political violence, and the ghost of a wise rabbi who follows the family from the Old World to the New.”
—Publishers Weekly
"I divide the world into two categories: the originals, and the ones who follow. The originals are the people looking differently, who take the simple elements of everyday life and make miracles. And for me, Alejandro, you are the one original."
—Marina Abramović
Alejandro Jodorowsky is a Chilean-French filmmaker, playwright, actor, author, musician, comics writer, and spiritual guru, best known for his avant-garde films including Fando and Lis (1968), El Topo(1970)—which became a cult hit and inaugurated the “midnight movie” phenomenon—The Holy Mountain (1973), and Santa Sangre (1989). As is documented in the recent film Jodorowsky’s Dune, in 1975 he began to work on a colossal adaptation of Frank Herbert's Dune—which was to star Orson Welles and Salvador Dalí and to be scored by Pink Floyd—but was never made (a later version was filmed by David Lynch). Recently, after 23 years away from the screen, Jodorowsky released his autobiographical film The Dance of Reality, about growing up in a Chilean mining town. Jodorowsky himself, his wife Valerie, and his sons Brontis, Axel, and Adan have all appeared in his films.
A circus clown and a puppeteer in his youth, Alejandro Jodorowsky left for Paris at the age of 23 to study mime with Marcel Marceau. He also befriended the surrealists Roland Topor and Fernando Arrabal, and in 1962 these three created the "Panic Movement" in homage to the mythical god Pan. He became a specialist in the art of the Tarot and prolific author of novels, poetry, short stories, essays, works on the Tarot and “psychomagic” healing, and over thirty successful comic books, working with such highly regarded comic book artists as Moebius and Bess. Restless Books will publish the first English translations of three of his best known books: Donde mejor canta un pájaro (Where the Bird Sings Best), El niño del jueves negro (The Son of Black Thursday), and Albina y los hombres perro (Albina and the Dog Men).
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Available Editions
EDITION | Ebook |
ISBN | 9781632060075 |
PRICE | $14.99 (USD) |
Featured Reviews
One cannot fully and truly appreciate Where the Bird Sings Best without watching multifaceted Alejandro Jodorowsky's movies. In the least, The Holy Mountain and The Dance of Reality must be seen and reflected upon before picking this fictional memoir, which is a part of a trilogy of his three best works, all being published by Restless Books: Donde mejor canta un pájaro (Where the Bird Sings Best), El niño del jueves negro (The Son of Black Thursday), and Albina y los hombres perro (Albina and the Dog Men).
It being a fictional memoir, how many of the names are true and which conjured up can only be left to one's imagination. Not that it matters. His family chart is not a simple one to understand, with similar names popping up in many generations. His father, Jaime, had four other siblings: brothers Jose (who dies during a flood in Dnepropetrovsk trying to float atop a wooden chest which was "stuffed with the thirty-seven treatises in the Talmud") and Benjamin; sisters Lola and Fanny. His paternal grandfather was Alejandro Jodorowsky and paternal grandmother Teresa Groisman, who had a sister Fiera Seca. His paternal grandfather's parents were Jaime Levi and Lea; while his paternal grandmother's parents were Abraham Groisman and Raquel. Jodorowsky pours his vivid and sometimes child-like imagination onto historical narratives, and what this results in is a phrase often applied to his work - psychomagical. The characters are not just humanly in flesh and blood, but sometimes other-worldly in behaviour and descriptions. Often it did remind me of Rushdie's prose, especially in Midnight's Children. His paternal grandmother's father, Abraham Groisman, would be covered in "from head to foot without ever stinging him. Then they would follow him like a docile cloud to the shed where he bottled the delicious honey, and many nights, especially during the glacial winters, they would gather on his bed to form a dark, warm, and vibrant blanket". Often the contrasting meanings would nothing but lie supine in front of you to be devoured of meaning: "Teresa's mother, Raquel, was thirteen when she gave birth in the cemetery". Dark imagery and shrouded portrayals apart, sinister twists await the reader - like when Teresa's sister, Fiera Seca, who had been taught to make horrible faces to scare off Death, falls in love with her father, Abraham, and escapes with him. Abraham during the course, and later even Fiera Seca, commit suicide by drowning in a tub of honey - with no feeling of fear or suffering, but only pallid expressions. The appearance of a man, Hindu in disposition and dark in colour while speaking an incomprehensible tongue of Sanskrit, results in Benjamin losing his hair due to a series of missteps. The efforts of Teresa and Alejandro, the paternal grand-parents, due to an ensuing hatred of the Jews are a piece not of fiction but of a deeply felt sordid reality of the past. God as someone who is hated by Teresa is offset to some extent by the Rabbi, imaginary nonetheless, who is at all times next to Teresa's husband and guides him in times difficult. One cannot help but notice how characters morph their identities to escape death and renew their life in lands unseen and un-accepting societies, whether in their own homeland or in the ones faraway, like Chile. This was the story on his father's side in Ukraine. Then he narrates that of his mother's side in Lithuania. And later they come together in South America and Alejandro Jodorowsky is ultimately born, signalling the end of this memoir.
Jodorowsky's novel doesn't restrict itself to fanciful narratives of mindless imagination, but also blends in the concepts of community welfare, anarchy, socialism, power and rule. The characters could be comical, repulsive, bestial, or even non-existing; but the significance of their dialectic sayings and pedagogical musings is not lost on them. This novel is a very different kind of work which you would rarely come across; it will absorb you, refuse to let go of you from its depths, and when released one will not be the same. Difficult at times, this is not your regular fictional memoir, but one which is ensconced in a crude mix of deliberately outrageous and unreachable sadness with critical reflections of the ways of life.
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