Death of a Diva
From Berlin to Broadway
by Brigitte Goldstein
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Pub Date Sep 30 2014 | Archive Date Feb 08 2015
Description
A veteran actress’s brutal murder at a Broadway theater in 1941 sets off a police investigation that reaches back to pre-WWI Vienna and 1920s Berlin in Brigitte Goldstein’s densely plotted noir mystery novel, Death of a Diva.
In 1941 New York, the murder on Broadway of Stella Berger, famed star of screen and stage of Weimar Germany and outspoken critic of the Nazi regime which had forced her into exile, sends shock waves through the American public.
The police act quickly, and the prime suspect, an emigrant street musician, is tried and put on death row. But Misia Safran, a young Jewish refugee from Germany and part-time employee at the theater who becomes inadvertently involved in the investigation, is haunted by the possibility of his innocence and a suspicion that there’s more to the case than meets the eye.
Determined to uncover the truth, Misia delves into Stella’s background. She patches together the life of the revered actress from testimony by those who had been closest to her throughout her rise to stardom. From accounts of her humble origins in a Viennese ghetto to her rise to the pinnacle in the acting world of 1920′s Berlin, to her battle with Nazi propagandist Josef Goebbels, emerges the portrait of a woman of great strength of character and resolve, albeit one that conceals a vulnerable side which ultimately may have been the cause of her undoing. As Misia cuts through a bewildering thicket of lies, hidden agendas, and deceptions, she is met with intimations of a deep secret in Stella’s past, evidence of which may be stored in the vault of a Swiss bank. If made public, this secret could provide the clue to the mystery, but could also destroy the star’s carefully guarded public persona.
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Available Editions
EDITION | Paperback |
ISBN | 9780692246665 |
PRICE | $14.99 (USD) |
Average rating from 19 members
Featured Reviews
Death of a diva, but not a common diva. That is found dead in his dressing of Broadway is the diva of divas, she who can fully immerse themselves in any feminine role, and in the same a beautiful woman and a symbol of the fight against Nazism. The police seem obviously groping in the dark, before questioning in unorthodox ways the young theater mask, guilty of having apparently take in the murder, and then the circle surrounding the actress. At various times, with different voices, the people who make or have made up the entourage of the actress, both in the US and in the past, in Germany, tell their own story and their own vision of the dead woman, capable of unleashing absolute love, but also a great sense of inadequacy in those around her. From this interweaving of voices and stories gradually emerge the real culprit, but all the players will face themselves.
Thank Pierredor Books and Netgalley for giving me a free copy in exchange for an honest review.