An early, unpublished work by the late novelist reveals the philosophical investigations that continued in his fiction.

Long before he probed the workings of time, human choice, and human frailty in Infinite Jest, David Foster Wallace wrote a brilliant philosophical critique of Richard Taylor's argument for fatalism. In 1962, Taylor used six commonly accepted presuppositions to imply that humans have no control over the future. Not only did Wallace take issue with Taylor's method, which, according to him, scrambled the relations of logic, language, and the physical world, but he also called out a semantic trick at the heart of Taylor's argument. Wallace was a great skeptic of abstract thinking made to function as a negation of something more genuine and real. He was especially suspicious of certain paradigms of thought-the cerebral aestheticism of modernism, the clever gimmickry of postmodernism-that abandoned "the very old traditional human verities that have to do with spirituality and emotion and community." As Wallace rises to meet the challenge to free will presented by Taylor (and a number of other philosophical heavyweights), we experience the developing perspective of this major novelist, along with the beginning of his lifelong struggle to establish solid logical ground for his soaring convictions. This volume reproduces Taylor's original article and other works on fatalism cited by Wallace in his critique. James Ryerson, an editor at the New York Times Magazine, draws parallels in his introduction between Wallace's early work in philosophy and the themes and explorations of his fiction. A companion website, www.davidfosterwallace-fate-time-language.net, established by Maureen Eckert, will feature interviews with philosophers and avid Wallace fans on the import of his arguments.

David Foster Wallace (1962-2008) wrote the acclaimed novels Infinite Jest and The Broom of the System and the story collections Oblivion, Brief Interviews with Hideous Men, and Girl with Curious Hair. His nonfiction includes the essay collections Consider the Lobster and A Supposedly Fun Thing I'll Never Do Again, and the full-length work Everything and More.