We’ve Got This

A Cinderella story about mothers and movie stars, mud boots and Manolo Blahniks, and dreams that do come true.

Kate’s messy, happy life of kids and chaos takes a Hollywood turn when her screenplay is selected for production by a small indie film company. They’ve even managed to attract a major Hollywood actor to star: Ryan Carter, the sexiest man alive.

Kate should be overjoyed. After all, it was Ryan’s furrowed brow and passionate kissing that she imagined as she wrote Love’s Labour’s Won. But when she takes on the role of his driver, she’s pretty sure she won’t be able to hide her mortifying, inappropriate, juvenile, two-decade long crush. All she wants is a bit of extra cash, but not if it comes with a side of humiliation.

The part should be perfect, exactly what Ryan needs to restart his stalled artistic engines and move past a disastrous affair. A few weeks away in a small town setting should take the edge off and leave him with a clear head and a plan for the future. All he wants is a bit of honest work, far from the trappings of fame.

Neither Kate nor Ryan are looking for anything more than what a few weeks of film work can bring them, but they’re about to find out that first takes aren’t always perfect and second chances are never scripted.