
The Adventures of Gillion de Trazegnies
Chivalry and Romance in the Medieval East
by Elizabeth Morrison and Zrinka Stahuljak
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Pub Date Dec 15 2015 | Archive Date May 02 2017
Getty Publications | J. Paul Getty Museum
Description
This lavishly illustrated volume reveals for the first time the complexity of this illuminated romance. A complete reproduction of the book’s illustrations and a partial translation of the text appear along with essays that explore the manuscript’s vibrant cultural, historical, and artistic contexts.
The innovative illuminations, by the renowned artist Lieven van Lathem, juxtapose the reality of medieval Europe with an idealized vision of the East. This unusual pairing, found in the text and illustrations, is the source of a rich discussion of the fifteenth-century political situation in the West and the Crusades in the East.
Elizabeth Morrison is senior curator of manuscripts at the J. Paul Getty Museum and is a specialist in Flemish illumination. Zrinka Stahuljak is professor of French and comparative literature at the University of California, Los Angeles, and has published widely on romance and the medieval Mediterranean.
Available Editions
EDITION | Other Format |
ISBN | 9781606064634 |
PRICE | $49.00 (USD) |
Featured Reviews

This is first and foremost a medieval romance - the genre comprised of fictional works of chivalry and adventure, often composed in prose as well as in verse, with some of the earliest being poetic works closely resembling the verse epics of Ancient Greece and Rome in both form and content.
These narrative fictions represent the adventures and values of the aristocracy - yet the Romance of Gillion reads like a modern day soap opera, as our hero embarks on one adventure after the next, from one mishap to the next.
The Adventures of Gillion Trazegnies is highly entertaining and a must for those who have an interest not only in medieval manuscripts but also in the literature of the times.

From Getty, which bought the manuscript in 2012, this is a gorgeous reproduction and study of a 1470s masterpiece--useful on two levels: made in the decade after the Fall of Constantinople, it is a window into how Western Europeans would have liked to re-write the Crusades in their favor, and as the product of the increasingly globalized Flemish court, it is a detailed view of how they experienced the material world.