Like I Used to Dance

“Oh, Grace, our kids,” laughed Bud. “Where did we go wrong? One marries God, another a Jew and the last one, the devil!”

Texas, 1951. The Wolanskis—Grace, Bud and their three grown children—are a close-knit clan, deeply rooted in their rural community and traditional faith. On their orderly farm, life seems good and tomorrow always holds promise.

But under the surface, it’s a different story. Grace is beset by dark memories and nameless fears that she keeps secret even from Bud. Their son Andy has said no to becoming a farmer like his dad and, worse, fallen in love with a big-city Jewish girl. Youngest child Regina is trapped in a loveless marriage to an abusive, alcoholic husband. Even “perfect” daughter Angela’s decision to become a nun takes an unforeseen turn.

And then Ceil Dollard breezes into town.

Ceil—wealthy, sophisticated, irrepressible—is like a visitor from Mars. She’s a modern woman. She drives a car and wears pants. She blows away tradition and certainty, forcing Grace to face her fears and brave a changing world. Through Ceil, Grace learns about courage and freedom—but at the risk of losing Bud

Barbara Frances’ sparkling, richly human novel takes you back to a time when Ike was president and life was slower, but people were the same as now. You’ll encounter a cast of characters storm-tossed by change, held together by love. Written with compassion, humor and suspense, Like I Used to Dance will charm you, warm you and even squeeze a few tears, from its opening number to the last waltz.


Barbara Frances Bio

Barbara Frances has plenty of stories and a life spent acquiring them. Growing up Catholic on a small Texas farm, her childhood ambition was to become a nun. In ninth grade she entered a boarding school in Our Lady of the Lake Convent as an aspirant, the first of several steps before taking vows. The Sisters were disappointed, however, when she passed up the habit for the University of North Texas, where she graduated with a bachelor’s degree in English and Theater Arts.

Her professors were similarly disappointed when she passed up a postgraduate degree to become a stewardess for American Airlines. Barbara, however, never looked back. “In the Sixties, a stewardess was a glamorous occupation.” Some highlights include an evening on the town with Chuck Berry and “opening the bar” for a planeload of young privates on their way to Vietnam.

Barbara eventually returned to Texas and settled down. Marriage, children, school teaching and divorce distracted her from storytelling, but one summer she and a friend coauthored a screenplay. “I never had such fun! I come from a family of storytellers. Relatives would come over and after dinner everyone would tell tales. Sometimes they were even true.”

The next summer Barbara wrote a screenplay on her own. Others followed, including Two Women, a finalist in the 1990 Austin Screenwriters Festival. Three more were optioned: Silent Crossing, The Anniversary and Sojourner Truth. Barbara left teaching and continued to work on her screenplays. In 1992, exhausted by endless rewrites she did something many screenwriters threaten but few carry out. She turned down an option renewal, done forever with writing—or so she thought.

It was not to be. One day a friend’s child found and read Lottie’s Adventure, her script for a children’s movie. At her young fan’s urging, Barbara turned it into a book, published by Positive Imaging, LLC, her husband Bill’s press. For Like I Used to Dance Barbara drew upon those “front porch stories” from her childhood and her imagination. Her next novel, Shadow’s Way, is a “Southern Gothic tale” about a woman caught in the struggle to keep her beloved plantation home from a scheming archbishop.

Barbara and her husband Bill Benitez live in Austin, Texas. She can be reached at:
barbara@likeiusedtodance.com