Nightmares
A New Decade of Modern Horror
by Richard Kadrey; Caitl?n Kiernan; Garth Nix; Gene Wolfe; Margo Lanagan; Laird Barron
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Pub Date Nov 01 2016 | Archive Date Feb 15 2017
Description
In this chilling twenty-first-century companion to the cult classic Darkness: Two Decades of Modern Horror, Ellen Datlow again proves herself the most masterful editor of the genre. She has mined the breadth and depth of ten years of terror, collecting superlative works of established masters and scene-stealing newcomers alike.
A Note From the Publisher
Advance Praise
A Kirkus 13 Horror Books to Put You in the Mood for Halloween
A Barnes & Noble SF and Fantasy Blog Best Horror Book of 2016
A Barnes & Noble SF and Fantasy Blog Best Science Fiction & Fantasy Collections and Anthologies of 2016
A Suspense Magazine Best Anthology of 2106
A Book Riot Wonderful Book of 2016
A Campus Circle Holiday Pick
“[STARRED REVIEW] Building off her indispensable Darkness: Two Decades of Modern Horror (2010), which covered the years 1985–2005, Datlow has here collected the 24 stories that she has most enjoyed from 2005–15. Her task is aided greatly by the fact that the last decade has been a fertile one for the genre, with the emergence of incredible new voices and the decision by nongenre writers to give horror a try. Arranged in chronological order by year of publication, these tales represent the breadth of horror from psychologically chilling to all out terrorizing and feature just about every type of monster or ghost imaginable. As a result of this range, however, not every reader will like every story, but that is not this book’s goal. Rather, it should be taken as an exemplary and accurate representation of what readers can expect from horror today, in general, in one concise volume. Of particular note are the stories by rising stars Laird Barron and Stephen Graham Jones and Australian Kaaron Warren, and a refreshingly original entry into the crowded field of zombie stories by literary-fiction author Dan Chaon. This volume is not only the perfect discovery tool for readers looking for the very best of modern horror, it should also be used as a collection-development tool by library staff.”
—Booklist
—Library Journal
“Nightmares is a dream come true anthology for those who love the darker and twisted side of speculative fiction and want to be entertained by beautifully written, dark and imaginative stories that give readers something to think about”
—Risingshadow
“Editor Ellen Datlow has compiled works that display her ability to cull quality horror fiction, as well as her enthusiasm and esteem for the genre. Published by Tachyon, Nightmares: A New Decade of Modern Horror is a pleasant reminder that horror’s short fiction “golden age” is ongoing.”
—Diabolique
“Datlow offers another impressive, diverse and hugely enjoyable collection of short fiction. . . This is a great collection of horror fiction. I’d highly recommend it.”
—The Book Lover’s Boudoir
“Edited by the God of horror anthologies, Ellen Datlow . . . For horror fans, Nightmares: A New Decade of Modern Horror, is a must own anthology. Simply put, you need this on your shelf.”
—LitReactor
“The overall quality of fiction here is so high, it’s hard to figure out where to begin . . . Datlow has a nigh-immaculate eye for stories,”
—Battered, Tattered, Yellowed, & Creased
“Nightmares is more than just a memorable and collective anthology; it is an excellent showcase of some of the finest names in contemporary horror and weird fiction, as well as one of the knowledgeable influence of the genre’s leading editors.”
—New York Journal of Books
“If you want the pants scared right off you, this is one of the greatest collections of horror stories ever printed. And that is not an exaggeration.”
—Unnerving Magazine
“Ellen Datlow has curated countless collections of horror and fantasy; anything with her name attached pretty much guarantees that the stories I'm about to read are high quality and will linger in my mind long after I finish reading the book. This volume of twenty-four stories is not an exception to that rule.”
—Girl Who Reads
“An excellent collection over all, featuring some of the best voices in horror. It has something to suit a wide variety of tastes, blending stories about real life trauma and bloodshed, to stories that pass into the realms of cosmic terror, horror in the old west and even those with a grim fairytale-like feel. In these pages you will find a nightmare for every horror fan.”
—This is Horror
“There is something for everyone here from serial killers, to zombies, to demons to shape shifters.”
—Shining Star Reviews
“[This] whole book of horror tales was rather fantastic. “
—Brad K. Horner
“Nightmares, horror reprinted for works originally published from 2005-2015 is of the highest quality of anthology available.”
—Unnerving Magazine
“Another excellent anthology by a skilled, widely acclaimed editor.”
—Nudge
“Ellen Datlow continues to show not just her enthusiasm as a fan of the horror genre, but her excellence as an anthologist. Recommended.”
—Monster Librarian
“Datlow is not just an expert (sorry, Ellen, but it’s the right word) at recognizing great horror; she’s an expert at recognizing great storytelling.”
—Cemetery Dance
“Most short story anthologies feel like entrées, little more than a glimpse into an author’s work. Nightmares feels like an all-you-can-eat buffet where the palate is refreshed every time you go up for another helping.”
—Strange Alliances
“[A] fantastic collection.”
—Fat Robot
“This is the best anthology I’ve read all year and a must-have for any horror fan’s bookshelf."
—Horror-Writers.net
[STAR] "Datlow, horror anthologist extraordinaire, brings together all things monstrous in this excellent reprint anthology of 20 horror stories that explore the ever-widening definition of what makes a monster, with nary a misstep.”
—Publishers Weekly, starred review
“Eerie and artfully executed, the narratives are highly imaginative and chilling.” —Diabolique
“Datlow has more backed-up expertise and accumulated assets than almost any other horror/dark/weird editor in the business.” —TeleRead
“The Monstrous is one of the most impressive themed anthologies of the year, varied in terms of theme and style, but not in quality.” —This Is Horror
Praise for Darkness: Two Decades of Modern Horror
“This is an anthology to be cherished and an invaluable reference for horror aficionados.” —Publishers Weekly, starred review
Praise for Lovecraft’s Monsters
“[An] amazing and diverse treasure trove of stories. As an avid fan of Lovecraft’s monstrous creations, THIS is the anthology I’ve been waiting for.” —Shattered Ravings
“Datlow brings together some of the top SF/F and horror writers working today and has them play in Lovecraft’s bizarre world. And that’s a delight.” —January Magazine
Marketing Plan
-Promotion at major trade and genre conventions, including the World Horror, Science Fiction, and World Fantasy conventions; ALA; the Nebula Awards; and Readercon
-Promotion targeting reviews and interviews in horror-themed print and online media
-Launch party at the KGB Fantastic Fiction Reading series in NYC
-Planned book giveaways on Goodreads, SF Signal, and other online outlets
-Promotion on editor's website (www.datlow.com) and extensive social media (www.facebook.com/EllenDatlow; @EllenDatlow)
Available Editions
EDITION | Other Format |
ISBN | 9781616962326 |
PRICE | $16.95 (USD) |
Featured Reviews
Datlow offers another impressive, diverse and hugely enjoyable collection of short fiction. I’ve loved horror fiction since I was a teenager and didn’t think this genre had anything really new to offer. This never bothered me because reading horror fiction is sometimes like slipping into a pair of well-worn shoes, moulded to the shape of your foot and still comfortable. Nightmares (A New Decade of Modern Horror) proves there is always something new for the horror genre to offer. I enjoyed every story in this collection. One of the stand-out stories of the collection is At Night, When the Demons Come by Ray Cluley which I’m pretty sure I read a few years ago in an old issue of Black Static magazine. This is a brilliant, chilling story and it was great fun to read it again. I also loved Our Turn Too Will One Day Come by Brian Hodge, Was She Wicked? Was She Good?” By M. Rickert, Interstate Love Song (Murder Ballad No. 8) by Caitlín R. Kiernan and Shay Corsham Worsted by Garth Nix. The other stories are all excellent but these shone a little brighter. This is a great collection of horror fiction. I’d highly recommend it.
This was a really diverse collection of stories that offers something to appeal to most readers. Horror is the only genre that I feel really gets it right with short stories, and this collection really proves that. I've read some awful horror collection (Dead Funny from Salt Publishing springs immediately to mind) that it was so refreshing to have a collection that just gets it!
Nightmares is a wonderful eclectic mix of horror themed short stories. They run the gamut from serial killers (female, no less!), post-apocalyptic, demons, witches, zombies, monsters, and pretty much everything in between.
Of course, as with all short story collections there were certain stories I liked better than others. The highlights for me include: Sob in the Silence, Our Turn Too Will Come One Day, Lonegan's Luck, and At Night, When the Demons Come By (seriously disturbing).
I would recommend this book to any fans of horror who are looking for a good scare.
This is an excellent collection of short stories. I recommend it to those who enjoy short snippets of well written short horror fiction. The author list is incredible!
Ms. Datlow is an accomplished anthologist, and "Nightmares" is her "sequel" to the excellent horror anthology "Darkness." Whereas "Darkness" covered the years 1985-2005, "Nightmares" picks up at 2005 and finishes with 2015. These are some of Ms. Datlow's favorite horror stories of that period, and they range from Lovecroftian to black magic, and everything in between.
I enjoyed reading the book and found the selections to be representative of the horror genre in the first two decades of the 21st century. An excellent pick of the upcoming and the established.
If you want a quick tour of the present day horror literature scene, this book fulfills that desire perfectly. An enjoyable read.
Nightmares: A New Decade of Modern Horror by Ellen Datlow
My rating: 5 of 5 stars
Thanks to Netgalley for the ARC!
Since this hasn't been released yet, I'm going to skip all the spoilerish stuff and the Story by Story gush or other reaction, and instead pick out some of my absolute favorites and otherwise tease some of the best ideas and themes for the rest, because I'm gonna be honest... the whole book of horror tales was rather fantastic.
I mean, it should be. This was a cherry-picking of the last ten year's best horror stories from some of the biggest non-stratospheric names in the business. Meaning it's mostly underrated authors or authors that are up-and coming or are well on their way to becoming household names.
That being said, I was thoroughly creeped out, disturbed, amused, and even awed. Most of these did a very good job at keeping me on the edge of my seat, and some even managed to make me really squirm and and want to say, "Enough, enough" and a few made me want to go out and pick up everything that author has ever written and be thankful that this book let me in on the big secret of their existence. :)
As for that last group, here they are:
Kaaron Warren's Dead Sea Fruit
Truly creeped me out and it had some of the best triggers in the business. Ash Mouth Man? Wow. Totally knocked me over. :)
Gemma Files's Spectral Evidence
This one was stylistically a fantastic treat with lots of easter eggs, written as notes in an investigation with pictures and tons of footnotes that tell an even more interesting tale than I might have guessed from the standard section. It isn't a traditional tale, but it's a freaking excellent one. :)
Ray Cluley's At Night, When the Demons Come By
A rather bright spotlight of a look at gender issues and an epic look at a world after demons infest the skies and shred humanity, zombie-style, but a bit more dire. The voice in this one is haunting and fantastic.
Livia Llewellyn's Omphalos
Totally haunting. I doubt I'll look at maps the same way again. And I'll also be totally creeped out about this one all night, now. Thanks a lot.
Now, just so you know, I loved almost all of these stories, and leaving some of these out actually kind of pains me. :) I'm still anxious after reading this entire book. And that's all because of the fantastic skills and the creepy dolls and the western zombies and the UF overdrive of hell infestations and good old fashioned roadtrip murder sprees. :)
Really, this one one hell of a fun ride. Anyone just looking for a good sampler or just a crazy good time could do FAR worse than this. :)
I loved the geographical variety of the Nightmares collection. Too often stories are based in the same urban centers, it was so refreshing to have rural, small town, and international settings. The writing on a whole was good, but a few stories were great. Horrible, scary, stays-with-you-after-the-lights-go-off great stories. Perfect for October, brave readers at night and nervous readers in full daylight.
Nightmares: A New Decade of Modern Horror edited by Ellen Datlow
Tachyon Publications, 2016
ISBN-13: 978-1616962326
Available: Paperback, Kindle edition
Nightmares is a collection of stories chosen by Ellen Datlow as the best stories of 2005-2015. It is a companion volume to Darkness, a previously published anthology of stories chosen by her as the best stories written between 1985 and 2005. Not being as widely read in contemporary short horror fiction as Datlow is, I can't say whether I agree with her choices or not, but I can say that the stories she chose do live up to the book's title: in one way or another, they are all nightmares.
Datlow chose stories that take a variety of approaches to instilling horror, from the understated to over-the-top: you'll find weird fiction, cosmic horror, twisted fairy tales, disturbing family secrets, ghosts and hauntings, Gothic horrors, body horror, incestuous relationships, and more than enough blood and gore. As a reader who prefers creepy and atmospheric writing to graphic descriptions, I found this book to be emotionally, mentally, and even physically exhausting. I received it as an ebook from NetGalley and am not sure how long it actually was, but it required several days for me to read it through. However, as a sampler of well-done short fiction in the horror genre, I think it is successful. Certainly, I have found that several stories have stuck with me even though a few weeks have passed since I finished it.
Standout stories include "Shallaballah" by Mark Samuels, a surreal tale that takes a disoriented plastic surgery patient through a disturbing Punch-and-Judy inspired hospital experience; "Dead Sea Fruit" by Kaaron Warren, about a dentist with a taste for revenge who destroys a man whose kiss drives girls to starve themselves to death; "Closet Dreams" by Lisa Tuttle, the story of a girl who was trapped in a closet by her kidnapper; "The Goosle" by Margo Lanagan, a horrific take on the Hansel and Gretel story requiring the reader to have an iron stomach; "The Shallows" by John Langan, a tale of a gardener trying to keep going after his wife has died, his son has left, and tentacled aliens have begun their invasion; and "Interstate Love Song (Murder Ballad No. 8)" by Caitlin Kiernan, a bloody tale of a road trip of serial murders by vicious, incestuous, necrophiliac sisters that you won't soon forget.
For those horror readers who enjoy variety in their short fiction, Nightmares is an excellent way to discover authors they may not have tried out before. With her choices for this collection of short fiction from the past decade, despite her disclaimer, Ellen Datlow continues to show not just her enthusiasm as a fan of the horror genre, but her excellence as an anthologist. Recommended.
Contains: graphic gore and torture, cannibalism, incest, necrophilia, violent murders, disturbing sexual situations, body horror, rape
Ellen Datlow has curated countless collections of horror and fantasy; anything with her name attached pretty much guarantees that the stories I'm about to read are high quality and will linger in my mind long after I finish reading the book. This volume of twenty-four stories is not an exception to that rule. The authors of the individual tales are well known in horror and other genres and do involve topics that might leave you queasy. There's the horror of the every day -- kidnapping, incest, murder, torture -- as well as the supernatural elements that include body horror and modification. Some of the stories have unreliable narrators, and most of the grotesqueries aren't described in explicit detail. Still, if you have a very vivid imagination, you can't help but picture it in your mind and feel the shivers.
Most people might think of horror as the blood and gore kind. The book description includes the story about two inexperienced thieves, and that story certainly has the chilling blood and gore horror that could make you queasy. The stories that stick with me more are the quieter ones, the horrors of the every day. Lisa Tuttle's "Closet Dreams" is one of those. The girl that was kidnapped somehow escaped through the wall then saw her kidnapper again. The end of that story was heartbreaking and hit me in the gut like a punch. Anna Taborska's "Little Pig" truly evoked the freezing cold of a Russian winter and horror that had to take place to survive it. Ray Cluley's "At Night, When the Demons Come By" nearly made me cry at the end of it; there are demons and people trying to survive the end of the world, but horrible thing is truly what people do to each other in the name of survival. And maybe that's the theme with all of these stories. The narrators try their best to survive awful situations. Sometimes it works. Sometimes it doesn't. Sometimes you really don't want them to.
Ellen Datlow is a master curator of fiction, and though she calls herself a “horror enthusiast,” I don’t think it’s a stretch to say she is also one of the guiding hands of the genre. Her Best Horror of the Year anthologies are a snapshot of current trends in horror, offering readers a sampling of new and established authors in one volume. Nightmares expands on those best-of collections and represents Datlow’s favorite short fiction from the years spanning 2005 to 2015.
Every story in the collection is exceptional. This surprised me. Usually, anthologies contain a tale or two that made me wonder how it made the cut, but not this one. There were a few stories that I’d read before and was delighted to read again. Sometimes, a story brought up personal terrors and was hard to read, but isn’t that what horror is supposed to do? It took me several weeks to read all 24 stories because I had to think about what I’d just read. I spent a few nights staring at the ceiling trying to chase the afterimages out of my brain so I could sleep.
Here are the stories that kept me awake:
“Closet Dreams” by Lisa Tuttle left me with fear scrabbling at the inside of my ribcage. A survivor of an ordeal at the hands of a depraved child molester can’t let go of the past. Her abductor had forced her into a closet during the day so no one would hear her if she screamed for help. After her escape, and years of therapy, the dreams of the closet still haunt her. She tries to glean clues from her dreams, something that can give the police a means to find her captor, but all she can see is the dark, and the room beyond the crack under the door.
“Interstate Love Song (Murder Ballad No. 8)” by Caitlín R. Kiernan made me read it twice. Twin sisters cruise across a landscape of blood, depravity and blind, obsessive love. They mark their map and memories by the bodies in their wake. To me, they may be escaping hell or hurtling toward it, or perhaps they’re already there.
The story that challenged me the most was “Omphalos” by Livia Llewellyn. It’s transgressive and brutal, pushing the boundaries of parental cruelty into a nightmare of a vacation. Their love is abusive and drives their daughter June into territory that only she can see on the map. Her father wants her to take him with her, but she alone knows the way to the center where chaos and darkness lies.
There are so many more. This is the best anthology I’ve read all year and a must-have for any horror fan’s bookshelf.
Hands down one of the best anthologies I've read in years. Terrifying, challenging, and brilliant. Every horror fan needs this on their shelves!
Fantastic collection of horror stories, often crossing a wobbly triggerwarning-y line from 'horror' to 'horrifying'. I got to add a good handful of authors to my ever-growing list of authors whose work I need MORE of, which is exactly how I want to respond to reading an anthology.
This is an anthology of outstanding modern horror and weird stories that are in other anthologies, I'm glad to have this feast of stories in one volume. It features some of the best authors in horror. It has somethhing for everyone to enjoy. The stories are chilling, and unsettling. The editor has done an outstanding anthology I think due to the variety and quality of the stories. If you don't read this, you will have truly missed a fantastic read!
As reviewed by Keith Rawson for LitReactor.com
The Verdict:
Not to repeat myself (or, more accurately, repeat Ellen Datlow), but over the last decade, horror has seen a major resurgence. You know, not that there weren’t some truly amazing writers working their asses off back in the day, but the sheer mass of creativity coming out of the genre has been impressive to say the least. And I imagine putting together an anthology representing the whole of this rush of diverse talent and ingenuity would be next to impossible to assemble. But, yet, Datlow manages to do so.
Within the 400 some odd pages of this rather intimidating, albeit highly readable, tome, resides virtually every kind of scare the human brain can imagine. From post-apocalyptic visions (Such as Langan’s “The Shallows”) to near stream of consciousness gems such as Gemma Files surreal “Spectral Evidence”. Now don’t get me wrong, like most anthologies, there are a few clunkers in the bunch, but overall it’s a solid read with stories by both the new and old guard alike.
For horror fans, Nightmares: A New Decade of Modern Horror, is a must own anthology. Simply put, you need this on your shelf. But for non-horror fans who have been thinking about dipping their toes into the genre, this is a perfect place to start kicking the tires.
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