A Simple Story

The Last Malambo

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Pub Date Feb 07 2017 | Archive Date Dec 31 2016

Description

Every year, at the height of summer, the remote Argentine village of Laborde holds the national malambo contest. Centuries-old, this shatteringly demanding traditional gaucho dance is governed by the most rigid rules. And this festival has one stipulation that makes it unique: the malambo is danced for up to five minutes. That may seem like nothing, but consider the world record for the hundred-meter dash is 9.58 seconds. The dance contest is an obsession for countless young men, who sacrifice their bodies and money as they strive to become the champion, knowing that if they win—in order to safeguard the title’s prestige—they can never compete again. When Leila Guerriero traveled to Laborde, one dancer’s performance took her breath away, and she spent a year following him as he prepared for the next festival. The result is this superlative piece of journalism, told with tremendous economy and power.

Every year, at the height of summer, the remote Argentine village of Laborde holds the national malambo contest. Centuries-old, this shatteringly demanding traditional gaucho dance is governed by the...


Advance Praise

“Guerrero irrefutably proves that journalism is one of the beaux arts. Below the light and agile surface that grabs your attention from the first lines, she shows a sureness and a seriousness that confer on her work a powerful consistency.” - Mario Vargas Llosa, El País

A Simple Story is about an expression of a culture that, unlike tango, has been passed over, neglected or forgotten by all but a few devotees, for whom it is an obsession. Its obscurity, this book suggests, is its salvation.” - The Economist

“An epic of noble proportions—Guerriero is a mistress of the telling phrase or the revealing detail.” - Sarah Crompton, The Spectator

“Guerrero irrefutably proves that journalism is one of the beaux arts. Below the light and agile surface that grabs your attention from the first lines, she shows a sureness and a seriousness that...


Available Editions

EDITION Other Format
ISBN 9780811226004
PRICE $14.95 (USD)

Average rating from 2 members


Featured Reviews

One of the pleasures of good nonfiction is that it can introduce you to a topic you know nothing about, one you wouldn’t expect to be interested in—and it can pull you in and make fascinating what originally seemed obscure. Leila Guerriero’s A Simple Story is exactly this kind of nonfiction.

Guerriero’s focus is on particular competitor in a little-known Argentinian folk dance competition: the Malambo Competition held annually in the village of Laborde. While Argentina has any number of folk dance competitions, Guerriero tells us “The uncompromising spirit and faithfulness to tradition is probably what makes [the Laborde competition] the least-known festival in Argentina.” For U.S. readers, the most familiar form of Argentinian dance is likely the tango, and the most familiar form of this most familiar form is the kind of “show dancing” exhibited by touring companies and in ballroom dance competitions. Malambo is nothing like this.

Malambo still largely remains true to the gaucho tradition from which it arose. It is a grueling dance form combining remarkably fast legwork with a nearly motionless upper body and a face devoid of emotion beyond a stoic ferocity. While the shoulders face forward, the lower half of the body turns left and right—a pivot a bit like an inversion of an owl’s spinning head. Dancing the Malambo is not just a matter of artistry, but also of endurance. At the Laborde competition, dance performances require close to five minutes of nonstop action. The best comparison I can come up with for the demands of the Malambo form (though this would seem like a stretch to real Malambo enthusiasts) is synchronized swimming. Think of the muscle control, the range and speed of movement required—and all of this done while underwater with limited opportunities for breathing. Malambo, of course, is not an underwater art form, but it demands remarkable lung capacity and breath control. A true Malambo artist breathes only through the nose, never gasping or taking visible breaths. In fact, to dance Malambo is to court hypoxia.

Even if you can’t imagine yourself enjoying a book about folk dance, pick up A Simple Story and give it a try. Chances are, you’ll experience what I did—an obsessive need to keep reading and a burning hunger to witness the Malambo for yourself.

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