“Potent . . .  A loosely autobiographical exorcism of grief. Boldly innovative and frankly sexual, the collage-like novel mixes hand-drawn charts, archival photographs, rap lyrics, sharp disquisitions on the Mandelas and Oscar Pistorius, and singular meditations on racism’s brutal intimacies. . . . A novel as visceral as it is cerebral, never letting us forget, over the course of its improbably expansive 200 pages, the feeling of untameable grief in the body. . . . One can’t help but think of Clemmons as in the running to be the next-generation Claudia Rankine.” 
—Megan O’Grady, Vogue

“Contrasting what it means to be black in America with being black in Johannesburg, where her mother’s relatives still live, Clemmons presents a brutally honest yet nuanced view of contemporary identity. . . . Raw and ravishing, this novel pulses with vulnerability and shimmering anger.”
—Nicole Dennis-Benn, O, the Oprah Magazine
 
“This affecting novel combines autobiographical vignettes with photos and pertinent charts—one tracks longevity by race—as the narrator reckons with her loss.”
—People

“Remember this name: Zinzi Clemmons. Long may she thrill us with exquisite works like What We Lose, her debut. Young Thandi, our heroine, grows up in Pennsylvania feeling like a fish on a bicycle. Why? As a biracial woman whose mother hails from Johannesburg, South Africa, she struggles to define home. In Clemmons’s hands the book is a remarkable journey.”
—Patrick Henry Bass, Essence

“This intimate novel from a talented new writer follows Thandi, a Philadelphia girl with a South African mom, who has a complicated relationship with her place in the world. Through prose, text messages, photos, and book excerpts, the cornucopia of storytelling activates all the feels.”
—Steph Opitz, Marie Claire

“Clemmons’s debut novel could be described as a coming-of-age saga without the fluff. . . . But from another perspective, her linear mosaic is a way of rescuing autofiction—that trendy blend of essay, memoir, and make believe—from its own tendency toward shapelessness, because it’s anchored firmly in both a character and a story.”
—Vulture.com

“Stunning . . .  The debut novel examines the complicated, strange proximity of love, grief, and loss, and how this manifests in the body . . . Clemmons skillfully draws on the humor that stems from the duality of conflicting cultures. Here prose is funny, fragile, and unflinchingly candid. Her characters are as flawed as they are honest, confronting their own fragmented relationships and identities.”
—BOMB

“Clemmons’ debut novel is a stunning work about growing up, losing your parents, and being an outsider. Perfect for fans of tangled immigrant stories like Americanah.”
—Glamour.com
 
“Stunning . . . What We Lose doesn’t attempt to answer any of the questions it raises. Instead, it dwells in them—in ways that are sad, sometimes funny—and gives readers a sense of what it’s like to be constantly haunted in that headspace.”
—Kevin Nguyen, GQ.com 

“Zinzi Clemmons’ powerful debut novel tells the story of Thandi, a woman raised in Philadelphia who’s struggling to come to terms with the death of her mother, who left behind a complicated legacy of her own.”
—Cosmopolitan.com

“This hauntingly honest novel celebrates the coming-of-age tale of a young African-American woman who chooses to live vibrantly in the face of loss, adversity, and devastation. Promised to be one of the most influential new voices in fiction, Zinzi Clemmons is a must for any serious beach reader. This is 2017’s most raw literary display of female emotions.” 
—Redbook

“A stunning coming-of-age story. . . . Clemmons deftly explores this problem of feeling in-between, and how an absence of any distinct identity is its own difficult category of being. With lyrical prose, Clemmons offers up one of the best meditations on love, grief, and what it means to find yourself that we’ve come across in ages.”
—Nylon

“A stunning debut novel about a young African American woman and the kaleidoscope of identity.”
—Los Angeles Daily News

“[A] poetic coming-of-age debut about the black experience, told in vignettes. You’ll feel like you’ve climbed into the narrator’s head—in the best way.”
—Glamour

“One of the most anticipated literary debuts of the year.”
—Men's Journal.com

“Perfect for fans of Americanah, the much-anticipated debut from Clemmons unfolds through poignant vignettes and centers on the daughter of an immigrant. Raised in Philadelphia, Thandi is the daughter of a South African mother and an American father. Her identity is split, and when her mother dies, Thandi begins a moving, multidimensional exploration of grief and loss.”
—BookPage

“A big, brainy drama told by a fearless, funny young woman. . . . Prepare for Thandi’s voice to follow you from room to room long after you put this book away. A compelling exploration of race, migration, and womanhood in contemporary America.”
—Kirkus Reviews (starred review)

“Spectacular. . . . Clemmons performs an exceptional sleight of hand that is both affecting and illuminating.”
—Booklist (starred review)

“Like debut author Clemmons, narrator Thandi is the Pennsylvania-grown daughter of a South African mother and an American father. In the novel, constructed of precise, charged vignettes, Thandi traces her parents’ history and her own upbringing; meanwhile, her strong-willed mother is dying of cancer. Thandi is left searching for meaning, and sorting through her scattered internal collage of experiences to piece together a cohesive racial and personal identity.”
—The Huffington Post

“Exacting reflections on race, mourning, and family. . . . Clemmons admirably balances the story’s myriad complicated themes.”
—Publishers Weekly

“Penetratingly good and written in vivid still life, What We Lose reads like a guided tour through a melancholic Van Gogh exhibit—wonderfully chromatic, transfixing and bursting with emotion. Zinzi Clemmons’s debut novel signals the emergence of a voice that refuses to be ignored.”
—Paul Beatty, author of The Sellout

“An intimate narrative that often makes another life as believable as your own.”
—John Edgar Wideman, author of Writing to Save a Life

“The narrator of What We Lose navigates the many registers of grief, love and injustice, moving between the death of her mother and the birth of her son, as well as an America of blacks and whites and a South Africa of Coloreds. What an intricate mapping of inner and outer geographies! Clemmons’s prose is rhythmically exact and acutely moving. No experience is left unexamined or unimagined.”
—Margo Jefferson, author of Negroland

“Zinzi Clemmons’ first book heralds the work of a new writer with a true and lasting voice—one that is just right for our complicated millennium. Bright and filled with shadows, humor, and trenchant insights into what it means to have a heart divided by different cultures, What We Lose is a win, just right for the ages.”
—Hilton Als, author of White Girls

“I love how Zinzi Clemmons complicates identity in What We Lose. Her main character is both South African and American, privileged and outsider, driven by desire and gutted by grief. This is a piercingly beautiful first novel.”
—Danzy Senna, author of New People

“It takes a rare, gifted writer to make her readers look at day-to-day aspects of the world around them anew. Zinzi Clemmons is one such writer. What We Lose immerses us in a world of complex ideas and issues with ease. Clemmons imbues each aspect of this novel with clear, nuanced thinking and emotional heft. Part meditation on loss, part examination of identity as it relates to ethnicity, nationality, gender and class, and part intimate look at one woman’s coming of age, What We Lose announces a talented new voice in fiction.”
—Angela Flournoy, author of The Turner House

“Wise and tender and possessed of a fiercely insightful intimacy, What We Lose is a lyrical ode to the complexities of race, love, illness, parenthood, and the hairline fractures they leave behind.  Zinzi Clemmons has gifted the reader a rare and thoughtful emotional topography, a map to the mirror regions of their own heart.”
—Alexandra Kleeman, author of You Too Can Have a Body Like Mine

“Zinzi Clemmons pulls something off in What We Lose that I didn’t think was possible. She creates, in so many ways, a new form or new narrative structure necessarily to explore the creases in how gendered, raced and placed identities and desire are formed. But she doesn't stop there. What We Lose is as much about the desire to be delivered from memory and imagination as it is about love, motherhood, and death. Clemmons somehow crafts a book that feels familiar and wholly innovative. This searing novel is a marvel that might change how we write and think about love, loss, place, gender and race for decades to come.”
—Kiese Laymon, author of Long Division