Treasure of the Spanish Civil War
by Serge Pey
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Pub Date Mar 03 2020 | Archive Date Nov 19 2019
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Description
Serge Pey's stories are lyrical, vivid vignettes of life during and directly following Spain's violent fascist regime of the thirties and forties. The collection is a defiant ode to the resilience of the human spirit, each story depicting a small act of human resistance: a man plants a fruit tree for each of his assassinated comrades; a professor hides a secret library of banned books in plain sight. Many of the stories are surreal, fable-like impressions from the perspective of children caught in the midst of the political violence. Pey's understated yet unusual prose renders a brutal landscape with childlike wonder. The Treasure of the Spanish Civil War and Other Tales is a strikingly original meditation on courage, survival, and hope in the face of oppression.
Advance Praise
• "Donald Nicholson-Smith's translations hold fast to this poetry's unnerving eloquence and simplicity, and its hell-for-leather speed." - T.J Clark on In Praise of Defeat (shortlisted for the 2017 Griffen Poetry Prize) • "Presenting the text en face, translator Donald Nicholson-Smith navigates the poet's many styles and moods with poise and opens this landmark writer's body of work up to nonfrancophone readers." - World Literature Today on In Praise of Defeat
Available Editions
EDITION | Other Format |
ISBN | 9781939810540 |
PRICE | $18.00 (USD) |
PAGES | 180 |
Featured Reviews
"The sky was dull. Amidst the thorn bushes the men were drying themselves with the torn rags of their lost republic. The language of the North had traveled upriver, following paths that moons ate up along with with iron insects. Hope was a locked book of water opened from time to time by a lightning bolt. La Cega’s language was as secret as a key, an egg, a knife."
This is a collection of short stories, many of them linked, and I have included the quote above to give an idea of the prose style which is very unusual. The style of writing here manages to be childlike and complexly allusive simultaneously. It often feels like a dream rather than reality and several passages appear simple on first reading but call you back for a second or third look, at which point they begin to reveal hidden complexities.
The stories give us a series of vignettes that focus on the lives of refugees from the Spanish Civil War who fled from Catalonia to Southern France only to be put into prison camps when they arrived. Some of the stories are gritty and seem very real. Others are real on the face of it, but head into more surreal territory and appear more like hallucinations or nightmares. There’s the story of how a woman uses the arrangement of clothes on her washing line to communicate secret messages to compatriots. There’s the story of a library of books all placed on the shelves the “wrong” way round: books hidden in plain sight. There’s the man whose orchard of trees has each tree named for an individual. It isn’t spelled out for us, but we realise the books are forbidden books and the individuals are assassinated comrades.
These are stories of refugees and immigrants. None of the stories is long, but they build together into a meditation. You put the book down realising you have read, in the subtlest way, about rebellion, courage and survival.
Definitely different and very well-written. A collection of short stories. Complicated yet compelling. Intelligent stuff. Recommended reading with concentration.
Sweet, touching, deceptively simply written - yet at other times jaw droppingly poetic. I loved these vignettes. The story about the dog in the camp made me cry.
Beautifully written literary fiction that drew me in kept me turning the pages.A book that kept me turning the pages enjoying the stories,#netgalley#archipelego
Beautifully written on the sentence level, heartbreaking in its content, this short story collection speaks of what is left unsaid in the aftermath of the Spanish Civil War. At times it left me in tears, then it left me puzzled. I wasn't sure if some things just went over my head, because I lacked the background knowledge, or whether it was deliberately confusing to highlight the unspeakable.
I'd definitely recommend this to some of my friends, but I think it requires a reader with specific interests in both history and lyrical language.