Reproduction
A Novel
by Ian Williams
This title was previously available on NetGalley and is now archived.
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Pub Date Apr 21 2020 | Archive Date May 05 2020
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Description
WINNER OF THE 2019 SCOTIABANK GILLER PRIZE AND CBC’S BEST NOVEL OF THE YEAR, this best-selling debut novel is an energetically told, funny, and moving book about how strangers become family.
Reproduction tells a crooked love story in which love takes strange, winding paths and grows in a context shaped by community, family, longstanding friendships, and fleeting interactions that leave their mark on us forever.
Felicia, a nineteen-year-old student from a West Indian family, and Edgar, the lazy-minded and impetuous heir of a wealthy German family, meet by chance when their ailing mothers are assigned the same hospital room. After the death of Felicia’s mother and the recovery of Edgar’s, Felicia drops out of high-school and takes a job as caregiver to Edgar’s mother. The odd-couple relationship between Edgar and Felicia, ripe with miscommunications, misunderstandings, and reprisals for perceived and real offenses, has some unexpected results.
Years later, Felicia’s son Armistice—“Army” for short—is a teenager fixated on a variety of get-rich-quick schemes that are as comic as they are indicative of the immigrant son’s fear of falling through the cracks. When Edgar re-enters Felicia’s life at a typically (for him) inopportune moment, the book’s exhilarating final act is set in the motion and the full import of its title is revealed.
“This gorgeous novel vibrates with life…Stylistically inventive and narratively compelling, Reproduction is stunning.”—Aminatta Forna, author of The Memory of Love
A JUNE 2020 INDIE NEXT GREAT READ
Available Editions
EDITION | Other Format |
ISBN | 9781609455750 |
PRICE | $18.00 (USD) |
PAGES | 464 |
Featured Reviews
This one, I think, would have gotten five stars from me just because of its sheer ambitiousness. I'm not a fan of experimental fiction, and frankly would probably not have requested this from NetGalley if I knew that's what this was. But, surprisingly, it worked for me on just about every level: superb character development, an intriguing premise, mind-blowingly courageous, and filled with humor, insight and multiple levels of emotional resonance. It also didn't hurt that there were subtle treatments of every social issue I am most attentive to: race, class, gender, immigration ... and of course, love. The complicated imperfection of the characters, and the realistic portrayal of their personal and interpersonal journeys over a span of about two decades kept me fully engaged, even through those parts where the author's stylistic flourishes had me scratching my head.
Some people will absolutely hate this book, especially if their preference is straightforward, just-the-facts-ma'am narrative. This book doesn't give you that. Like, at all. It jumps between and over time, uses only the most necessary and sparing punctuation, and doesn't shy away from dialect. It is a challenging book in that way, but still, an amazing accomplishment that reminds me just how limitless the bounds of storytelling can be if you're a writer who is as unafraid as Ian Williams clearly is.
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