The Lost Arabs
by Omar Sakr
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Pub Date Jan 14 2020 | Archive Date Jan 13 2020
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Description
Visceral and energetic, Sakr’s poetry confronts the complicated notion of “belonging” when one’s family, culture, and country are at odds with one’s personal identity. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.
A Note From the Publisher
We regret that this electronic galley is not available for Kindle viewing.
Available Editions
EDITION | Other Format |
ISBN | 9781524854010 |
PRICE | $16.99 (USD) |
PAGES | 112 |
Featured Reviews
Thank you to Netgalley for giving me an arc of this collection!
Some favorites from this collection:
Self-Portrait as Poetry Defending Itself
The Exhibition of Autobiography
Extermination
At the Site of the Future Memorial
Every Day
A Beautiful Child
This was a very solid collection, although I think it would have been better had the poems been grouped thematically. They totally could have been and I just missed the connections. But it just felt like emotional whiplash every now and again. Some of my favorite poems from this collection had to do with the author's queerness and his relationships with his family members.
I enjoyed more poems than I did not, and would highly recommend to anyone that is interested in poetry.
*I received an ARC via Netgalley in exchange for an honest review. Thanks for the free book of poetry.*
Omar Sakr is a bisexual Australian-Arab poet and his poetry deals with queerness, politics, love, family, and being Arab. I was surprised how fragile and concise the short poems were, I loved that he meantioned the djinn American Gods episode, and how fluent and natural all the poems sound. Not all poems worked for me, but they do not have to. If you want to experience what it means to be a bisexual poet with a diverse background.
One of my favourite poems was this one:
"You are not as tired of diaspora / poetry as I am of the diaspora. Sometimes // I thank God that I was born inside an American / -made tank. Sometimes I weep within // the beast. My uncle works on the railroads / and goes home to his nuclear family loathing // my queerness from afar." (A Beautiful Child, 40)
4 Stars
The publisher kindly offered me a reader copy via NetGalley. Yet, this is an honest review of the book expressing my unbiased opinion.
First of all, what an illustrious, vivid imagery and heartbreak this poetry book elicits. It evoked my anger, my tears, helplessness, and yet, it also made me feel less alone. I'm not Arab so I'm not the targeted audience, but the emotions of the poet resonated with me because I often share them, too. Torn between countries and languages, queer and not completely seen and understood.
The poems have this story-telling quality like they narrate a story. I loved that aspect. However, some of their wording didn't resonate with me as much as I'd like to rate it with 5 stars. But that doesn't negate how fantastic and visceral this poetry book is. I truly believe my lack of 100% connection to the book is due to this unexplained personal, subjective intangible aspect, and not due to the quality of the poems.
I also loved how the poet infused his queer identity, language, overall sense of identity, religion, culture, and history. It was done masterfully, and it's this personal sense that sets this poetry book apart from others. It is visceral. It is personal. It is authentic. It is real. And for me, that's where the best poetry emerges from. I'll definitely read more from Omar Sakr and the publisher.
4 stars – ⭐⭐⭐⭐
Author: Omar Sakr
Publisher: Andrews McMeel Publishing
I've been looking forward to this for a while and I'm glad I enjoyed it! The poetry style was different from what I'm used to, but I enjoyed how unique it was. Some of my favourite poems from this title are:
- Ameen
- Out on the Way to Melbourne
- A Beautiful Child
- Every Day
- Self Portrait of What Graces the Night
- In Order to Return