Land's End
New and Selected Poems
by Gail Mazur
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Pub Date Sep 11 2020 | Archive Date Aug 01 2020
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Description
In Land’s End, we see Mazur writing with the kind of lyric authority, ever-deepening emotional range, and intellectual and social scope that her readers have come to expect in her poetry. Beautifully crafted elegies meet with reflections on her own life, her family, and artists who have come and gone. In the title poem, she leads readers through a garden, where new and old growth twists together in an “almanac of inheritances” that conjures the rich memory of poets who have passed on. In this space of remembrance, Mazur also charges us with the responsibility of nurturing art and artists of the future, especially in the face of the disheartening absurdities of contemporary politics. Contemplating the growth and decay so entwined in life, these poems invite us to consider both inevitable brokenness and necessary hope, writing “My work now: to continue learning to absorb the loss, / and live.”
Through tidal creeks and the weightless scenes of ukiyo-e woodcuts, in artists’ studios and along the frozen Charles River, Mazur connects passionately with the world around her. Carrying with her the undeniable presence of loss and of time past, she engages deeply with the present, her historic memory informing a deep concern for contemporary life. Reading Land’s End, we find ourselves with the poet: as if here at land’s end, here on the coast, urgent,
together we’d have energies to do battle forever.
As if we could rescue the guttering world….
A Note From the Publisher
Advance Praise
PRAISE FOR MAZUR'S FORBIDDEN CITY':
“Powerful. . . . Mazur’s poems register the constant tug between holding on and letting go that is an inescapable condition of her life: she is always bumping up against a glimmer from the past or the future, even as she goes through each day.”—Hyperallergic
“Mazur examines her response to desolation with unsparing meticulousness. The results are poems that expand our understanding of the consolation of nature, the miracles of art, and the power of imagination. . . . In its passion and invention, line by line, Forbidden City reveals Gail Mazur as an artist writing at the height of her powers.”—On the Seawall
“No one—and I mean no one—writes poems as chock full of such nuanced feeling as Gail Mazur. She is as good as it gets.”
—David Rivard
“With courageous disinterestedness, Mazur turns private particulars into universal images with a light poetic touch. We feel what she feels in the most ordinary objects and images that shine as human touchstones for our common longings and laments."—Harvard Review Online
Available Editions
EDITION | Other Format |
ISBN | 9780226720739 |
PRICE | $29.00 (USD) |
PAGES | 208 |
Featured Reviews
Land's End was a great collection of poetry. The use of line breaks, I thought was brilliant, and each poem differed in its structure. The poems conveyed the author's feelings and thoroughly described the subjects. Although I rarely read poetry, I would definitely recommend this book.
I received an advance copy of this book from NetGalley in return for an honest review.
I received a review copy of Gail Mazur’s upcoming new book, “Land’s End: New and Selected Poems” from Net Galley in exchange for a fair review. I would give this collection 4+ stars.
First, let me say that I have always admired Mazur’s work having read one of her previous collections and some of her other poems in literary magazines throughout the years. The fact that she is published by University of Chicago, whose Phoenix Poets series ranks among the best in publishing contemporary poetry in my opinion, also attests to the long, sustained excellence she has enjoyed over 40+ years.
The 30+ pages of new poems, along with a generous sampling from her other works, allows the reader ample opportunity to see the breadth of her work. Poetic friends like Allen Dugan and Stanley Kunitz are a presence over many years. Descriptions of beaches and gardens contrast with serious aesthetic concerns like war and social justice in these poems in a style that is both sensuously descriptive and plain spoken but powerful.
In her new poems, there is a sense of time passing but a fierce resistance to treacly sentimentality. In the title poem, “At Land’s End “ she writes, “An old friend, a neighbor, stumbling, Has lost her/way on the sands./There’s always tomorrow. /There’s always something left to lose. Something /here is blowing bubbles/ Something’s forever burrowing.” The most riveting new poem catalogues the long estrangement from her sister contrasted with the solidarity she felt being among other women one evening in art gallery {“Sisters! I cried, and only one of them turned away (I’d so often failed her, my sister, in undutiful affection. Why? What was duty’s relationship to affection?)”} only to write later in the poem, “only she who’d turned her back, her silence I kept hearing, unforgiving silence we’d passed back and forth mindlessly all the years of our lives—“
The rest of the poems allow Mazur to pick the ones that reflect her poetic interests (family history, literature, politics, religion and living on the coast of New England) and also the ones that best represent her poetic craft. She chooses wisely, but some longer poems are digressive and perhaps a bit too inside for the reader to envelope herself within the poem. Stricter editing would have created a more propulsive and suspenseful narrative for these long poetic lines written in free verse. As a result, it would be hard for a reader to memorize a particular poem, which I still believe is an essential quality in the best poetry so that, like prayer, we can recite it to strengthen ourselves in difficult and challenging situations. That said, I was still honored to spend several hours in the company of Mazur’s art.
Land's End
New and Selected Poems
by Gail Mazur
University of Chicago Press
Literary Fiction | Poetry
Pub Date 01 Sep 2020
I am reviewing a copy of Land’s End through University of Chicago Press and Netgalley:
Poetry is perhaps one of the hardest genres to review, because it is such a personal Medium, that being said I met say Land’s End is an exceptional collection.
Mazur writes with a deep emotional range and social scope that is evident throughout this book. She meets beautifully crafted elegies with stories from her life, from those of her family and friends, in such a way that the lines draw you in, and paint a vivid picture. Her poetry often conjures memories of poets who have been long buried. Land’s End is part memoir, part remembrance, and part rich remembrance of those gone before. Mazur reminds her readers of the importance of absorbing the loss, and living.
This book shows gone well Mazur connects to the world around her, and in sharing her insights she helps her readers to do the same.
I give Land’s End five out of five stars!
Happy Reading!
A powerful book of poetry.A book that had me slowly reading each poem ,.The poet shares from her life from the world as she sees it,Lyrical beautifully drawn written.#netgalley#ofchicagopress
Land's End: New and Selected Poems by Gail Mazur is published by the University of Chicago Press. Mazur, a graduate of Smith College, is the author of several collections of poetry. In 1973, she founded the Blacksmith House Poetry Series in Harvard Square. Mazur has received fellowships from the National Endowment for the Arts, the Bunting Institute of Radcliffe College, and the Radcliffe Institute. She is Distinguished Senior Writer in Residence in Emerson College's graduate program.
Range is a word that must be associated with Mazur. She begins her new poems with Beatniks and McCarthy and smoothly moves into nature with the title poem, "Walking Barefoot, August," and "Thoreauvian." There is a nuanced fluidity to the poems that allow the subject to change as waves reach the beach. Smooth in style. Each poem seems unhurried and restful -- a verbal Monet. Perhaps that too helps the reader visualize the summer sun, beach, or the hermit crab. Nature claims a role in her writing:
They say the mind is an ocean,
but sometimes my mind is a pond
circular, shady,
obscure and surrounding the pond,
scrub oak, poison ivy, inedible
low hanging berries,
~ "Poem"
Brilliant, easy to read, and slip into poetry. There are no airs or elaborate styling to the poetry. It is the kind of poetry that one drifts into and experiences.
This book contains some new poems as well as poems from previous work.
All of them were beautiful, with a huge variety of themes. I sensed a lot of nostalgia troughout, but never did the poems become overly sentimental. The themes included many social problems and they all have impact on how society can be viewed today. They all are worth reading, and taking your time to read thoroughly.
Gail Mazur leads the reader through a maze of beauty in this volume of poetry. Life in all of its ups and downs and in-betweens is explored through lyrical language and breathtaking imagery. Highly recommended for poetry fans.
I highly highly recommend this collection. I had never heard of Mazur before this collection and I was blown away by her words, her lines, and the way she tells stories in these poems.
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