Picnic In the Ruins

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Pub Date Jan 05 2021 | Archive Date Jan 05 2021

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Description

"Part mystery; part quirky, darkly funny, mayhem-filled thriller; and part meditation on what it means to 'own' land, artifacts, and the narrative of history in the West . . . A fast-paced, highly entertaining hybrid of Tony Hillerman and Edward Abbey." --Kirkus Reviews

Anthropologist Sophia Shepard is researching the impact of tourism on cultural sites in a remote national monument on the Utah-Arizona border when she crosses paths with two small-time criminals. The Ashdown brothers were hired to steal maps from a "collector" of Native American artifacts, but their ineptitude has alerted the local sheriff to their presence. Their employer, a former lobbyist seeking lucrative monument land that may soon be open to energy exploration, sends a fixer to clean up their mess. Suddenly, Sophia must put her theories to the test in the real world, and the stakes are higher than she could have ever imagined.

What begins as a madcap caper across the RV-strewn vacation lands of southern Utah becomes a meditation on mythology, authenticity, the ethics of preservation, and one nagging question: Who owns the past?
"Part mystery; part quirky, darkly funny, mayhem-filled thriller; and part meditation on what it means to 'own' land, artifacts, and the narrative of history in the West . . . A fast-paced, highly...

Advance Praise

"Fantastic . . . This isn’t just a thriller—it’s also one of the funniest books I have read in years . . . This is a perfect read for fans of Elmore Leonard, William Boyle, and The Coen Brothers." —Liberty Hardy, Book Riot


"Picture a Tony Hillerman-style tableau: a red rock desert beneath a deep azure sky, imbued with the history of the sacred rituals and artifacts of the Southern Paiute. Now add a Tim Dorsey or Carl Hiaasen-esque overlay, awash in desiccated Ford pickup trucks, characters who embody the word 'characters,' ulterior motives and belly-rumbling hilarity, and you’ll get an idea of the strange trip you’re about to embark on . . . Beneath all this, Petersen poses some intellectual questions, such as who really 'owns' land, what rights and responsibilities such ownership conveys and how the inevitable collisions between titled owners, the public good and the ancient claims of sacred ground should be addressed." —Bruce Tierney, BookPage


"Blending dark comedy and crime fiction, Petersen examines a moment in time that exquisitely reveals timeless and far-reaching themes . . . An excellent read for those who enjoy thrillers set in the Southwest and readers interested in the preservation of history and culture." —Booklist 


"Petersen's tightly written mystery plays out over the vast, unforgiving terrain on the Utah-Arizona border with a lineup of unforgettable characters . . . Petersen delivers a fast-paced chase over a hostile landscape while underscoring the past and present threats to Native American antiquities. Hang on tight and enjoy the ride." —Library Journal (starred review) 


"A rollicking mystery . . . Petersen keeps up plenty of action and suspense while also offering philosophical insights on who owns the land. Petersen’s offbeat adventure keeps the reader turning the pages." —Publishers Weekly


"Part mystery; part quirky, darkly funny, mayhem-filled thriller; and part meditation on what it means to 'own' land, artifacts, and the narrative of history in the West . . . A fast-paced, highly entertaining hybrid of Tony Hillerman and Edward Abbey." —Kirkus Reviews 


“An edgy black comedy examining crucial issues of appropriation and antiquities theft in America.”—Library Journal


"Reading Picnic in the Ruins is like watching a Tarantino film—scenes unfold to reveal a cast of divergent characters who are destined to collide; and when they do, you won’t want to look away. Todd Robert Petersen delivers a roller coaster of a book!” —Margaret Mizushima, award-winning author of the Timber Creek K-9 Mysteries, including Hanging Falls


"A murderously addictive thrill-ride through the remote, rugged Utah-Arizona borderlands, where looting and vandalism of ancient cultural sites remain all too prevalent." —Scott Graham, National Outdoor Book Award-winning author of Mesa Verde Victim


“In this 21st century fusion of Zane Grey, Tony Hillerman, and Craig Childs, Todd Robert Petersen gives us a page-turner of a murder mystery that tackles the ethics of archaeology. Along the way, he dispels a raft of traditional ‘exquisite misapprehensions’ about the American West.” —Stephen Trimble, editor of Red Rock Stories: Three Generations of Writers Speak on Behalf of Utah’s Public Lands 

"Fantastic . . . This isn’t just a thriller—it’s also one of the funniest books I have read in years . . . This is a perfect read for fans of Elmore Leonard, William Boyle, and The Coen Brothers."...


Available Editions

EDITION Other Format
ISBN 9781640093225
PRICE $16.95 (USD)
PAGES 336

Average rating from 16 members


Featured Reviews

This adrenaline filled, crime ridden, often humourous romp through the wild lands of Utah and Arizona was like an action movie in print form. There were shootings, car chases, kidnapping, double-crosses, and of course murder, but somehow it was also really fun! There is an almost slapstick level of comedy provided by the Ashdown Brothers and their idiotic, yet witty banter that made me chuckle more than once. There are a lot of characters who at first seem to have little to do with each other but as time goes on connections are made until finally it escalates into absolute mayhem and I don’t think it’s a spoiler to say that not everyone survives. I was particularly concerned about sweet cinnamon roll and inadvertent cultural appropriator Reinhardt and I won’t give any hints about his fate or that of any other character, except the dog; the dog survives. I can say that the perilous final chase through the desert was an absolute nail-biter and I was sure everyone was going to die. There was serious tension until the glorious and satisfying end.

While this is a crime novel full of excitement and humour it also sneaks in serious messages about everything from archaeological ethics to government corruption to the treatment of Native Americans. As an archaeologist I died a little inside reading some of these scenes. Working in the Middle East I am very aware of looting and artifacts on the black market so I’m not at all shocked by that aspect but some of the actions of even the “good guys” caused me to physically cringe. I’m pretty sure my soul shriveled and hoped for death during the scene involving a backhoe. There are a lot of thoughtful relevant issues brought up dealing with the ownership of artifacts and archaeological sites and the ethics removing pieces to museums or even to private collections. The balance between preserving artifacts and preventing their possible destruction while maintaining their meaning is a tricky one and I certainly don’t have it figured out and neither do these characters.

I completely enjoyed this rowdy crime caper and its strange, wonderful, and often awful characters. While the archaeologist in me couldn’t stop figuratively covering my eyes in horror it didn’t prevent me from losing myself to the hot, dusty landscape and the madcap tale. There are characters to love and many to hate and I had no problem getting invested in and swept away by the story.

Thank you Counterpoint Press for providing an Electronic Advance Reader Copy via NetGalley for review.

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This Western thriller takes place in an unnamed national monument near Bryce Canyon. I'm pretty sure it is meant to be the Grand Staircase Escalante National Monument for a variety of reasons, not the least of which is that the characters are involved in a scheme associated with the federal government's plans to reduce the size of the monument, something that has actually happened to Grand Staircase Escalante during the last administration. The monument contains many Indian ruins, both charted and uncharted, and this book concerns the attempt by some to plunder those ruins and the opposing attempt by others to protect them.

The characters are just what you might expect from a book set in the vastness of the Western landscape, including an archeologist, a park ranger, and a tourist on the preservationist side and backwoods brothers, an evil capitalist, and a hired assassin on the opposing side. In addition, the reader meets a small-town lawman, an off-the-grid eccentric, a polygamist family living alongside an isolated antigovernment group, and many others. The book has a very eclectic and fascinating cast.

Throughout, the reader is asked to join in a struggle to understand the nuances of ownership of ancient ruins and artifacts. As one can imagine, this is a very complex topic which Petersen asks the reader to contemplate but for which he doesn't provide a definitive answer. Copies of copies and provenance play a role, but mainly to stimulate reflection. The fast-paced suspense is well resolved, if somewhat quickly, at the end of the book. I found a connection revealed at the very end to be a bit hokey, but otherwise found the ending satisfying.

The writing about the desert landscape of the monument is beautiful and as enticing as it is frightening. I loved reading about this part of the world, an area that is familiar to me. Being transported by Petersen to the monument is as close as some will come to visiting it, and I imagine the heroes of this book, and Petersen himself, will be quite happy with that.

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A version of this review previously appeared in Shelf Awareness and is republished here with permission.

A murdered, self-taught archeologist dentist, a National Park ranger, a disillusioned German dermatologist, an assassin named Scissors, two hapless brothers (one "tall and thin and off-kilter," the other resembling a "burnt stump"), a Japanese video game designer, a Princeton doctoral candidate, a conspiracy theorist recluse, sister wives and numerous other intriguing characters converge near Bryce Canyon National Park in Picnic in the Ruins, Todd Robert Petersen's darkly comic, madcap thriller with overarching social themes.

When artifact collector Bruce Cluff is killed, several maps are stolen from his home. What the maps show and who wants them is the greater plot arc, supported by a series of underlying threads that add to the mystery and lunacy. Sophia Shepard is researching her thesis on the ethics of preserving ancient artifacts ("One person's artifact is another person's ancestor"). Tourist Reinhardt Kupfer, disillusioned with the U.S. and his tour group, departs on his own "quest." Paul Thrift, park ranger and Sophia's semi-romantic friend, takes her on an outing to one of the secret map locations where she learns things she doesn't want to know. Not long after, they find themselves in a shootout and on the run with Reinhardt.

Unsurprisingly, Petersen (Rift) teaches creative writing and screen studies at Southern Utah University. Picnic is wildly creative and easily envisioned. The cultural appropriation and preservation lessons are thick, but they come by an honest need to avoid being engulfed by the blackly humorous, action-packed adventure. This fun caper stands up to some needed mindfulness.

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If like the bumbling of the Coen Brothers movies mixed with a thriller like thread running through, this is the book to read. Highly recommend.

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