Ararat
Poems
by Louise Glück
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Pub Date Apr 15 2025 | Archive Date May 15 2025
Description
A new edition of the Nobel laureate’s searing fifth collection of poetry, about “the myth of a happy family” (The New York Review of Books).
Louise Glück, the winner of the 2020 Nobel Prize in Literature, was an era-defining poet: innovative, brave, and wholly individual. Her work has left an indelible mark on the literature of our nation and of the world.
Ararat, Glück’s fifth collection of poetry, centers on the death of her father. Here she creates a ruthlessly probing family portrait and confronts the difficulties and intricacies of a daughter’s relationship to her parents. The result is a subtle and determined collection in which the poet interrogates both her own life and the whole world that emanates from it. “I was born to a vocation,” she writes, “to bear witness / to the great mysteries. / Now that I’ve seen both / birth and death, I know / to the dark nature these / are proofs, not / mysteries—”
A Note From the Publisher
Available Editions
EDITION | Other Format |
ISBN | 9780374613617 |
PRICE | $17.00 (USD) |
PAGES | 64 |
Available on NetGalley
Featured Reviews

Louise Glück's Ararat is a moving exploration of what happens when family and grief collide. Glück writes with clarity, holding a mirror to the state of her subject. The reader is a bystander to these recollections of tragedies, both internal and external.

Louise Glück’s Ararat is a raw and deeply personal collection, exploring grief, family, and the complicated ways we love—and fail to love—the people closest to us. Written in her signature stark and unsentimental style, these poems unravel a lifetime of familial relationships: the loss of a newborn sister, the quiet yet cutting rivalry with another, the early death of a father, and a mother left navigating a world shaped by absence.
What makes Ararat so powerful is its emotional restraint. Glück doesn’t dwell in sentimentality, yet her words cut deep. The collection also reflects on parenthood, as the narrator struggles to connect with her own child, mirroring the emotional distance she once felt from her father. This cyclical nature of loss, love, and misunderstanding is woven throughout, culminating in a quiet reckoning.
The book is framed by the repeated line, “Long ago, I was wounded.” By the time we reach the final poem, the narrator has gained a reluctant understanding of both her father and herself. It’s not a neat resolution—Glück never offers that—but it’s a moment of clarity that lingers long after the final page.
Despite its weighty themes, *Ararat* remains accessible, making it an excellent entry point for readers new to Glück’s work. If you appreciate poetry that explores grief with unflinching honesty, this collection is one to pick up.
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