Don't Pity the Desperate

"Myra is in deep trouble, exactly the sort of trouble American teens find themselves in, here in the centerless middle of endless suburbia, of late stage capitalism, driven by longings she cannot control or decipher. In a voice that rises up out of her deepest insecurities and denials, Don't Pity the Desperate tracks Myra’s progress toward her own truth, or at least a self that is by degrees more survivable, and there is much bravery and beauty in the telling. This deep-hearted, penetrating portrait delivers the thing I want most in any story: the feeling that the writer’s life depended, at least a little, in getting it on the page."

–Pam Houston, author of Deep Creek: Finding Hope in the High Country 

“From page one, Don’t Pity the Desperate is riveting, encompassing the grief, confusion and, yes, the desperate wanting of a young addict named Myra who has lost her way. Deadpan, darkly humorous and profoundly touching, Moore’s novel is full of knife-sharp insights about rehabs and recovery – and I fear those insights are as true today as they were in the 1980s, when this story is set. Is recovery possible? And what, exactly, are we recovering from? Vivid and evocative, Moore’s story is unforgettable. It lingers in my imagination still.” 

–Samantha Dunn, Author of Failing Paris and Not By Accident: Reconstructing a Careless Life

“An unsparing examination of the kids who use and the imperfect program designed to save them, this novel spares the reader nothing. In prose that is razor sharp yet dazzlingly beautiful, Anna B. Moore probes ‘the spot between feeling and truth,’ stirring hope and compassion for us all. A riveting debut.”

 —Rob Davidson, author of Welcome Back to the World: A Novella and Stories

“Moore has written a beautiful vault of truths.”

—Josh Mohr, author of Model Citizen and Damascus

“In beautiful, harrowing, and often funny prose, Moore’s Don't Pity the Desperate knits together all the feelings and realities of trying to emerge from addiction– the pathos, the gallows humor, the family difficulties, the regeneration of self – into a compulsively readable novel constructed of lovely sentences and electric scenes. Moore builds the book’s central character, Myra, with a deft hand, with such nuance, delicacy, and believability. Moore's dialogue and secondary characters pull you from page to page, each remarkably vivid and each its own whole world. You will root for Myra at every stage of her journey. A truly compelling, moving, and well-crafted look at the complexities of recovery.”

—Amy Stuber, author of Sad Grownups

“Moore has written a book that uncannily and stunningly gets inside the mind of a teenager struggling with loss, identity, self-worth, confusion, doubt, and hormones–all while in rehab. As a reader, we are both rooting for Myra and remembering when we were Myra, with all the swirling issues of adolescence on top of life itself. It’s beautiful, tender, and tough all at the same time—mirroring the subject she so deftly writes about.” 

—J.J. Elliott, author of There Are No Words For This

“Moore’s kaleidoscopic look at the pain and confusion of early recovery is unapologetically raw and unfiltered. In its conflicted portrayal of the teen rehab experience and the challenges of surrender, Don’t Pity the Desperate reflects on absence, trauma, desire, and desperation, all within the fluid and chaotic state of adolescent identity. The center of this novel is a triad of questions every addict has asked: What would it be like to feel less alone? Is there a God? And what would it take to choose life?”

—Tara Stillions Whitehead, author of They More Than Burned